I Know Her

Before my friend Elise becomes any more famous, I have one thing to say:  I know her.

The artwork of Elise Hylden, the illustrious writer/illustrator of our KEM GEM critique group,  was featured in the March/April 2013 SCBWI BULLETIN, the official publication of the Society of Chiildren’s Book Writers & Illustrators.  What better endorsement?

Anyway, take a gander at pages 26-29.  The illustrations are Elise’s.  I think you’ll agree — Elise has a bright future on the horizon.  Her imaginative creations already delight us.  We can’t wait until everyone can enjoy them.

Congratulations, Elise!  We’re so proud of you.  In the inspirational words of Buzz Lightyear: TO INFINITY AND BEYOND!

2012 Iowa SCBWI Conference

Four of us converged in Brooklyn Park, MN, to carpool to Des Moines for the three-day 2012 Iowa Society for Children’s Book Writers & Illustrators (SCBWI) Conference.  On the way home, all four agreed that the eight-hour round trip was worth every mile.

Minnesota party crashers: Randy Holland, me, Cynthia Weishapple, Elise Hylden.

The journey started one year ago when my new writing partner, Cynthia Weishapple, (the stranger who sat by me at the 2011 MN SCBWI Conference), happened upon the web site of Jan Blazanin.

We followed the cyber trail to Jan’s Magical Writing Group friends (Eileen Boggess, Sharelle Byars Moranville, and Rebecca Janni) and vowed we, too, would one day attribute our success to our writers group sisterhood.  Our vision paid off in the spring when Elise Hylden and Kristi Herro joined us. (See My Writing Friendspage.) With four invested in each other’s success, the group is magical, as promised. Like Jan’s group, we hope to inspire other writers, who will inspire other writers…

Iowa inspiration. Magical Writers Group: Jan Blazanin, Eileen Boggess, Rebecca Janni. Not pictured: Sharelle Byars Moranville.

Creatures of the Night.

Yes. We Midwesterners know how to party.

Conference organizers gave us three opportunities to share our work: a Friday night peer review workshop, a Saturday manuscript review, and a Saturday afternoon or Sunday morning open mic session.  They also orchestrated table assignment mixers and a Creatures of the Night Tour of downtown Des Moines.  All could come away with new insights and new friends. No one would come away a stranger.

It seemed fitting that writers conference attendees would gather in Des Moines’ Pappajohn Sculpture Park’s Nomade.  Jaume Plensa, Nomade’s creator, imagined the letters as building blocks for words and ideas, like human cells for the body.

 

 

 

 

Thanks to the Magical Writing Group and 2012 IA SCBWI conference committee members: Connie Heckert, Lisa Morlock, and all conference volunteers.  You shouldn’t have been so nice, because we’ll probably be back again next year.

A Picture Book Without Pictures

A picture book without pictures is like the Pips without Gladys Knight:

Click the image to see the YouTube video

For the life of me, I can’t remember whose writer/illustrator blog featured this clever insight — but I concur.  I’m so thankful to have Elise Hylden, writer and illustrator, in our writers’ group.  She continually challenges me to say more with less.  At the 2011 MN SCBWI Conference, Illustrator Dan Santat noted the brilliance of children’s book author, Mac Barnett.

During a break, to uncover the secret of brilliant writing, I purchased Barnett and Santat’s collaboration, Oh No!  Was I surprised to find that the number of words in
Oh No! equals the number of times I use the bathroom in a day.  Yet the book was, as Santat promised, brilliant.

The illustrations that poured out of Barnett’s initial idea make the book.  Obviously, Dan Santat is one of the most brilliant illustrators Mac Barnett has ever met. The book is what it is because Barnett trusted.  He had faith in his illustrator to transform his thoughts into an out-of-this-world adventure.

I don’t have his trust — yet.  Sometimes I leave words, intending that they can be cut later, clutching to them as if to a life vest that holds my vision.  Barnett is more secure.

Barnett doesn’t need a critique group, but I wonder how Oh No! would fare under the scrutiny of the status quo.  I can see the margin scribbles on his manuscript:

       This makes absolutely no sense.

       You might need to explain this for blind kids.

       A giant frog seems a highly illogical choice to solve your protagonist’s dilemma.

       You don’t even tell your protagonist’s name for — wait!  You don’t ever tell your
protagonist’s name! Where is your character development?  Will she capture an audience if we don’t even know her name?

(My daydream has more words than the book.)

Just when I’m wrapping my head around Oh No!, Brian Snelznick comes out with
The Invention of Hugo Cabrat and Wonderstruck — thick, honkin’ books of silence.

Interestingly, these books that speak softly and carry big sticks are by men. My husband would be thrilled by this audibly “quiet”, visually “loud” trend — if he knew about it. Are these works possible for us word-abundant females?

Maybe I need more silence to see and hear clearly.