Writer Mentorship Lesson #3

COWABUNGA

Trisha’s jewelry was udderly divine.

Cowabunga! My last meeting  with MN SCBWI Writers Mentor Trisha Speed Shaskan moo-ved me. Charming bovines  surrounded us, rendering me defenseless  against cheesy puns.

Oh, no!
I can’t stop!

All bull aside, I’m so thankful for Trisha’s encouragement,  gently prodding me to a new level of children’s book writing. I hope my notes will encourage you, too.

Cow! Cows! Cows! And a little bull.

Café Latte art. Didn’t I notice it before? Cows! Cows! Cows! And a little bull.

 ANNIHILATE THOSE DARLINGS!

Killing darlings is essential for picture books, where low word count is optimum. Darlings can be extra characters, clever twists, funny dialog, or witty phrases–any words we think we can’t live without (but can). Writers’ minds understand killing darlings, but our hearts are reluctant to sacrifice our beloved(s).

Regarding my manuscript, my critique group had already encouraged the execution of a funny old knight and some annoying songbirds, so I thought I’d whittled to its bare bones. But Trisha still Cow!found phrases and adjectives that needed to march to the guillotine.

Since my picture book is bordering long, at 560 words, I needed to cut the fat. (Sorry about my grizzly metaphors.)

Could the illustrator show that “wigs, walking sticks, and wooden teeth flew” without those seven extra words?

Could the illustrator show that the environment is cramped, dark, and musty, even if I just call it a cellar?

CowCould the illustrator deliver more punch?

YES! YES! YES!

Killing your darlings is all about trusting the illustrator!

WORLD BUILDING

Trisha reminded me to ponder the world I’d created. Is it authentic?

Cows, Cows, Cows! And a little bull.

For instance, my tale is set in medieval times and I needed a place for my characters to escape an impending threat. Only one of these truly fit my story:

  • a cramped tunnel
  • a cellar
  • a dark dungeon
  • the musty basement

If you picked “cellar,” I know you read the “Annihilate Those Darlings” segment.  Cramped, dark, and musty can be illustrated with colors, space, and character expressions and mannerisms.

I originally chose tunnel, but after Trisha encouraged me to reconsider, it occurred to me that I wanted the next scene to flow up, not to another destination. I passed on a dungeon, because a dungeon infers imprisonment and I already had a prison in a different place. I rejected the basement, because the word “basement” originated in 1730, after the middle ages.  Cellars were underground chambers–usually cramped, dark, and musty–where medievals kept perishables. Cellar was perfect.

Certainly, some time travel stories are built to interject medieval with modern themes, but mine wasn’t one of them.

Scrutinize your word choices. Are they consistent with the rules you have set?

BE PATIENT AND PERSISTENT!

I love writing stories, but I hadn’t done any querying since my early days of children’s book writing when I naïvely thought the process was easy. Now I’m embarrassed and would like a do-over. Since then, there is one bit of advice I’d like to extend to all picture book writers: BE PATIENT! Do NOT query agents and editors until two experienced  critique partners and one mentor says your manuscript is perfect. And, wait–still don’t send that query until you write another manuscript and have that approved.

After three and a half years of hard work, I’ve finally received the thumbs up I need for two stories, plus I’ve accumulated almost a dozen other manuscripts in various stages of polish. But I’m far from done.

Here’s where the next stage of PERSISTENCE comes in. Finding the perfect agent or editor may be as hard as writing the perfect manuscript. Be selective and ask the right questions.

  1. Does she represent picture books? Editors who prefer YA? Probably not for me.
  2. Does my work fit his taste? Vampire seeking agents? Nada.
  3. Is she accepting new clients? This question should be #1.
  4. Does he accept authors who don’t illustrate? My list just got smaller.
  5. Do she have a sense of humor? You vill write and you vill like it! Nyet.
  6. Which publishing houses represent my favorite writers and illustrators? There are so many!
  7. Which publishing houses distribute my favorite books? Publishers, like people, have unique tastes.

When I showed Trisha my list of ten well-researched possibilities, she encouraged me to increase it to 30-40, and start sending three or four at a time, (each a personalized query, of course). She also advised me to consider newer agents, as well as the experienced. She reminded me that new agents are building their base and would work hard for their clients.

Back to the search engines.

In gratitude, these blog posts are my small effort to pay my mentorship experience forward, hoping you will benefit from Trisha’s wisdom as well.

On behalf of both of us, may you learn a latte’! (Lucky for you, I couldn’t think of another cow pun.)

2014 MN SCBWI Conference Highlights II

KellyLightNPeepy

Kelly Light and Peepy

LisaPeepyMe600

Peepy with Lisa Yee and me.

StephenShaskanNPeepy

Stephen Shaskan and Peepy

Trisha Speed Shaskan and Peepy

Trisha Speed Shaskan and Peepy

The 2014 MN SCBWI Conference brimmed with colorful characters. In her keynote “Schlemiel, Schlimazel, Give Us Any Chance, We’ll Take It,” KellyLight, creator of the Louise Loves Art series and illustrator of Elvis and the Underdogs and The Quirks, invited participants on her Laverne and Shirley-inspired  journey toward children’s book superstardom, encouraging us to take chances and push forward.
“I hope my story shows other SCBWI members that believing in yourself, along with a little goofy use of absolutely anything that helps to keep you going . . . can get you down that road to publication . . . maybe a bit bumped around and nauseous . . . But well on your way to realizing your dream.”  

See more at kellylight.com.

CandiceGrace

Candice Keimig and Grace Hansen, ABDO Publishing

After an  ABDO Publishing  workshop by Candice Keimig, Art Director, and Grace Hansen, Editorial Marketing Coordinator, Lisa Yee, author of the Millicent Min and Bobby middle grade series presented her keynote, “From Slush Pile to Best-Seller: The Good, The Bad, and The Ugly.”

The realism in Lisa Yee’s work stems from her inspirations, real live people. Yee’s son Benny inspired Bobby vs. Girls (Accidentally) and Bobby the Brave (Sometimes). Marley Sandelski first drew notice as a supporting character in Stanford Wong Flunks Big-Time. But, when he became an inadvertent stop-bullying ambassador for real kids, Marley earned his own book as the protagonist in Warp Speed. The Kidney Hypothetical–How to Ruin Your Life in Seven Days came about when Yee’s daughter took a dangerous dare. Learn more about Lisa Yee, the 2014 Sid Fleischman Humor Award-winning author, at lisayee.com

2014 MN SCBWI Conference Intensives

ShannonBerg600

SCBWI Friend Shannon Berg

CharactersBruceNQ

Bruce Hale and Quinette Cook, SCBWI Regional Advisor

Sunday intensives by Bruce Hale, Carter Hasegawa, Lisa Yee, and Kelly Light proved to be a bittersweet opportunity–like being told you can only have one Lays Potato Chip.

I’d registered for Bruce Hale’s intensive, “Funny Business: The 7 1/2 Secrets of Writing Humor.”

Then I waffled, thinking, “Really, isn’t a sense of humor a natural gift either you have or you don’t? Maybe I made a mistake.”

Turns out I could have used another hour/week/year of Hale’s instruction. Funny can be dissected and analyzed.

Three Funny Business Don’ts:

  • Don’t use topical humor
  • Don’t try to get too cutesy.
  • Don’t telegraph your jokes

Three Funny Business Do’s:HumorComesFromCharacter600

  • Do respect your audience.
  • Do give them the humor they like.
  • Do let them finish the punchline.
  • Do work in threes. (Oops.)

For more writing tips, see BruceHaleWritingTips.com.IfWeAreNotFunny

Against the assault of laughter, nothing can stand.
~ Mark Twain

My conference highlight was being selected for the 2014-2015 Writer Mentorship. Mentor  Trisha Speed Shaskan, I won't take this blessing lightly. (No pun intended, Kelly Light.) Congratulations, Illustrator Mentorship winner Joanna Ward! You'll love working with Illustrator Mentor Nina Crittenden.

My conference highlight was being selected for the 2014-2015 Writer Mentorship.  Mentor Trisha Speed Shaskan, I won’t take this blessing lightly. (No pun intended, Kelly Light.) Congratulations, Illustrator Mentorship winner Joanna Hunt! You’ll love working with Illustrator Mentor Nina Crittenden.