SOLD

“Fact: There are more individuals in slavery today than at the height of trans-Atlantic slave trade.” Polaris, a non-profit organization working to combat human trafficking

SOLDPatriciaMcCormickYoung Adult,
Fiction

Age Range:
14 years & up

Grade Level:
9 and up

Text copyright:
Patricia McCormick © 2006

Published by:
Disney-Hyperion

 

 

 

 

 

AWARDS

  • ALA Top 10 Best Book for Young Adults 2007
  • National Book Award Finalist 2007
  • National Public Radio – Top 100 Books of the Year 2007
  • Book Sense Pick 2007
  • California Young Reader Medal 2007
  • Quill Award 2007
  • Gustav-Heinemann-Peace Prize 2008
  • Elliot Rosewater Award 2009-2010

SOLD, THE MOVIE

  • Executive Producer Emma Thompson and Director Jeffrey Brown will bring SOLD to screens March 15, 2015, limited release.

WHY SOLD IS A KidLit GEM

KKRISTI’S TAKE
The YA novel, SOLD, is told with rich, lyrical metaphors, each vignette, more masterful than the next. Like a playmate, Patricia McCormick takes your hand and guides you to see, hear and feel what Lakshmi’s life in Nepal is like. And then, like the monsoon, washes it all away, as the metaphors shift from land and sky to survival and endurance.

Unlike the endearing Tali, the black and white billy goat, SOLD is a story about all that is gray in life. Meehhhh!

McCormick wisely uses the voice of an eager, innocent, thirteen-year-old narrator to help the reader endure this haunting journey, for without the element of hope, I’d sooner endure a monsoon. The very element that make’s the harsh reality of sex trafficking palatable, Lakshmi’s innocence, makes the taking of it, all the more heart wrenching. I applaud McCormick for not tiptoeing around the harsh reality of sex trafficking.

Favorite line
 “Simply to endure is to triumph.”

KEM Sapphire
E
ELISE’S TAKE
SOLD is both convicting and compelling for those of us privileged with a secure, loving environment. Patricia McCormick’s well-researched novel is gripping, not only because of its personal perspective and thoughtful, emotionally charged vignettes, but also because this story could belong to any of the millions of women and children imprisoned in sex trafficking today. McCormick doesn’t soften the edges, staying true to the callous reality of Lakshmi’s nightmare. But instead of focusing on the details of Lakshmi’s forced sexual encounters, she concentrates on the emotional trauma of a girl robbed of her home, health, identity, and innocence.

While the novel’s intimate point of view will certainly draw cruel disappointment time after time as Lakshmi is repeatedly abused and abandoned, readers are also given hope through this young woman’s stunning resilience and the compassion and courage of those who save her.

Favorite line
How odd he is, this man who pays for a girl and does nothing but talk.
KEM Diamond
MGrayANNA MARRAS’ TAKE
I won’t kid you. SOLD is a difficult read. Patricia McCormick’s first-person  account from thirteen-year-old sex trafficking victim, Lakshmi, will drain the color from your face and develop knots in your gut. As I read the book, lounging under a cozy blanket on my comfortable couch in my comfortable home, it repulsed and horrified me to consider the young children that were being violated in all parts of the world at that very moment. And that repulsion and horror won’t leave until their nightmare stops.

After entering Lakshmi’s world, where a hug and a pencil meant everything, I felt ashamed of my apathy and ingratitude. Lakshmi’s gentle narrative shook me to say, “Look! See! Do something!” And that’s good. After all, that’s what the gutsy author/activist intended.

Favorite lines
I have been beaten here, locked away, violated a hundred times and a hundred times more. I have been starved and cheated, tricked and disgraced.

How odd it is that I am undone by the simple kindness of a small boy with a yellow pencil.

GEMrub

I must admit, we didn’t consider the Valentine’s  weekend timing when we selected this Gem. But there’s no better story to show what happens without love.

Consider the gravity of the statistics. According to Polaris, trafficking affects 161 countries worldwide, enslaving an estimated 20.9 million men, women, and children for forced labor or commercial sex.

Educate Yourself:

Do Something:

Get Help:

Please share your SOLD comments with us!

THE STORY OF FROG BELLY RAT BONE

FBRBPicture book,
Fiction

Age Range:
4-8 years

Grade Level:
K-3

Text and illustrations by Timothy Basil Ering © 2003

Published by Candlewick Press

 

AWARDS

A NICK JR. FAMILY MAGAZINE Best Book of the Year
A New England Book Show Juvenile Category Winner
A New York Book Show Children’s Trade Hardcover Winner

WHY THE STORY OF FROG BELLY RAT BONE IS A KEM GEM

KKRISTI’S TAKE
Like the boy’s wish in this story, I found a true TREASURE. The expressionistic illustrations in THE STORY OF FROG BELLY RAT BONE are distinctively whimsical! With splatters of speckles and spackles, the tactile textures and twine are untraditional, uninhibited and sublime. Once I finally stopped admiring Timothy Basil Ering’s masterpiece, I still admire it, I understood that Ering’s message was as tender as the “tiny gray specks” that sprout into “wonderous riches”.  Every child will delight in this fantastical story about treasures, thieves, friendship and patience; thanks to Frog Belly Rat Bone.

Favorite line
“Stand tall, Frog Belly Rat Bone!” shouted the boy, waving his hands like a wizard.

KEM Sapphire
E
ELISE’S TAKE
Holy texture, Batman! The raised cover! The scratchy text! The acrylic washes and scuffs! Ering’s sense of ingenuity and fun is immediately reflected not only in his unconventional artwork, but also in a main character on the hunt for great things in unexpected places. He manifests his humor in the gestures and expressions of the curious boy, the conniving thieves, and of course, in swollen Frog Belly Rat Bone himself. Even the title, FROG BELLY RAT BONE is fun to say again and again. Readers of all ages will enjoy the messy spreads in Ering’s tale of friendship, patience, and the joy of discovering treasure.

Favorite line
“Frog Belly Rat Bone, one, two, three…You are the monster who will protect the specks.”

KEM Diamond
MGrayANNA MARRAS’ TAKE
Timothy Basil Ering created a clever tale of possibilities by juxtaposing the dark, drab, dreariness of cement and metal with vibrant flowers and exuberant creatures. I’ve grown especially fond of two supporting characters, a funny rabbit and a fruit fly wearing an “I Heart Jelly” t-shirt.

Young readers will love exploring for the unexpected within. For instance, in one last lovable spread, Basil stitched his story together, just like he stitched up his dancing protagonist Frog Belly Rat Bone.

This story may make you scratch your head. But in a good way. Basil’s living and breathing text and illustrations help us believe that something can come out of nothing. And the best riches are often camouflaged—in little specks, unlikely heroes, and the art of diplomacy.

Favorite line
 “Monster!” said Frog Belly Rat bone. “But my dear boy, you’ve made me far too good-looking to be a monster!”

GEMrub

Other children’s books illustrated by Timothy Basil Ering:

  • Newberry Award Winning The Tale of Despereaux by Kate DiCamillo
  • Finn Throws a Fit by David Elliot
  • Punkzilla by Adam Rapp
  • Necks Out For Adventure by Timothy Basil Ering
  • Sad Doggy by Jennifer B. Lawrence

Please share your The Story of Frog Belly Rate Bone comments!

THE BEST CHRISTMAS PAGEANT EVER

As KEM’s Christmas gift to you, we recommend The Best Christmas Pageant Ever, a seasonal classic you’re sure to love.

BestChristmasPageantEver6Chapter Book Fiction
Text copyright © 1972
Barbara Robinson
Picture copyright © 1972
Judith Gwyn Brown
Published by HarperCollins

AWARDS

ALA Notable Children’s Book
Georgia Children’s Book Award
Indiana’s Young Hoosier Book Award
Minnesota’s Maud Hart Lovelace Book Award
2012 School Library Journal’s Top Hundred Children’s Novels
Library of Congress Children’s Books


WHY THE BEST CHRISTMAS PAGEANT EVER IS A KEM GEM

KKRISTI’S TAKE
Barbara Robinson’s first person story about misfits is outrageously funny. Like all true comedies, that which is tragic is conversely Herdmanlarious. Robinson’s narration accomplishes this edge through the voice of the innocent, yet watchful protagonist’s narration. The unbiased account of the Herdman’s understanding of the birth of Jesus is sweet and provoking. Ask yourself, would you want a bullying Herdman in your classroom? Like Jesus, the narrator embraces the scarcely lovable and interjects wisdom upon her fellow peers’ and parisioners’ judgmental ways. Afterall… isn’t that the point of Christmas, to open our hearts, unto ALL?

Favorite line
But as far as I’m concerned, Mary is always going to look a lot like Imogene Herdman–sort of nervous and bewildered, but ready to clobber anyone who laid a hand on her baby.

KEM Sapphire
E
ELISE’S TAKE
Second only to the Bible, this was the most-read Christmas story in my house growing up. My dad still can’t read it aloud without stopping to gasp for air. Barbara Robinson brilliantly captures the politics of the everybody-knows-everybody small town, and the chaos of the annual Christmas pageant in a small town church. Her characters remind you of your neighbors and the kids you grew up with, her dialogue pokes fun at annual Christmas traditions and expectations, and her Herdmans show us what it must be like to hear the Christmas story for the very first time. Ralph, Imogine, Leroy, Claude, Ollie, and Gladys ask the questions that those of us who grew up in church often fail to ask, and the result is a very sincere and poignant version of the nativity, black eyes and all.

Favorite line
“…Joseph and Mary, his espoused wife, being great with child…”

“Pregnant!” yelled Ralph Herdman.

Well. That stirred things up.

KEM Diamond
MGrayANNA MARRAS’ TAKE
This story brought me from stomach-buckling laughter to pillow-hugging tears. Barbara Robinson shared the true meaning of Christmas without proselytizing or gushing. Through subtle humor from the curious introspection of the young narrator, most of this story touches your heart between the lines. It’s tragic, because many of us know the Herdman’s—that family of practically-orphans lost between the cracks of society. Yet, it’s magic, because Robinson showed us how a rag-tag troop of clueless outcasts can teach an entire community about acceptance, growth, and wonderment. And Robinson accomplished this without adding one iota of pity or condescension.

Favorite line
Mrs. Wendleken didn’t even want cats to have kittens or birds to lay eggs, and she wouldn’t let Alice play with anybody who had two rabbits. 

GEMrub


Please share your The Best Christmas Pageant Ever comments!

PERSEPOLIS: THE STORY OF A CHILDHOOD

 “. . . Since then, (1979, after the Shah fled Iran to escape the Islāmic revolution), this old and great civilization has been discussed mostly in connection with fundamentalism, fanaticism, and terrorism. As an Iranian who has lived more than half of my life in Iran, I know that this image is far from the truth. This is why writing Persepolis was so important to me. I believe that an entire nation should not be judged by the wrongdoings of a few extremists. I also don’t want those Iranians who lost their lives in prison defending freedom, who died in the war against Iraq, who suffered under various repressive regimes, or who were forced to leave their families and flee their homeland to be forgotten.

One can forgive but one should never forget.”

~From the introduction of THE COMPLETE PERSEPOLIS
Marjane Satrapi, Paris, September 2002

PersepolisGraphic Novel, Memoir
by Marjane Satrapi

Copyright © 2000 in French, by L’Association, France
Persepolis
English translation copyright © 2003 by L’Association, France
Published in the United States by Pantheon Books, a division of Random House

Age Range: 11 years-adult
Grade Level: Middle Grade-Adult

Text and illustrations by Marjane Satrapi

 

 

AWARDS

Prix Alph’art Coup de Coeur at Angoulême
Prix du Lion in Belgium
Prix Alph’art du meilleur scénario
The Prix France Info
The Young Adult Library Association Recommendation
Named one of “100 Best Books of the Decade” by The Times (London)
Winner of the 2003 Fernando Buesa Peace Prize (Spain)
A New York Times Notable Book
A Time Magazine “Best Comix of the Year”

WHY PERSEPOLIS:THE STORY OF A CHILDHOOD IS A KEM GEM

KKRISTI’S TAKE
Marjane Satrapi’s autobioGRAPHIC novel is: an art form with comic content, a coming of age narration, illustrative of revolutionary Iran, unique, historical, and provocative! Reading it felt a bit like scanning a box of Satrapi’s neatly organized film negatives. The sparse and purposeful word choice intensifies Satrapi’s high-contrast inking. The wedding of her visual and literary style provides the perfect medium to unveil BOLD commentary about how the Islāmic Revolution tainted childhood innocence.   Although this rebellious first person narration is rendered in black & white, PERSEPOLIS delves into the murky greyness of political conflict; a YA must read!

Click here for chapter summaries.

Favorite line
“The revolution is like a bicycle. When the wheels don’t turn, it falls.”

KEM Sapphire
E
ELISE’S TAKE
Although PERSEPOLIS is heavy with political and social issues, Marjane Satrapi’s childlike perspective is still refreshing and relatable. She gives readers an honest and poignant look at the traditions that suppress many in her distant Iranian culture. Simultaneously, we also read about a girl whose struggle with identity and security is not so different from our own. Marji’s experiences of making friends and understanding political changes, as well as her quest for independence and respect are universal themes to which readers of all ages will relate.

Visually, PERSEPOLIS is a marvelous spin on the traditional memoir. The graphic layout offers a genre for young readers who still crave visual references at an age when other illustrated books may appear childish. The images give a youthful quality to some difficult subjects, yet the novel remains sophisticated in its simple, organized presentation.

Favorite line
“I tell you all this because it’s important that you know. Our family memory must not be lost. Even if it’s not easy for you, even if you don’t understand it all.”

KEM Diamond
MGrayMARRAS’ TAKE
Because this graphic memoir lives up to its genre, PERSEPOLIS: THE STORY OF A CHILDHOOD makes a riveting read for all middle grade through adult readers. In this, Satrapi relives her childhood in a country gone mad. Satrapi explains the complexities of war, politics, Iranian history, and culture through reflective but stark black and white comic strips. The absence of red, the color of gore and bloodshed, mercifully buffers readers from the unspeakable suffering inflicted by the Islāmic Revolution. The absence of censorship thwarts the aggrandizement of war. Satrapi’s humor serves as an unexpected encourager, prodding us forward with hope.

As a child, Marjane Satrapi desired to become a prophet. As a young adult she desired to become a revolutionary. In her own way, she accomplished both.

Favorite line
“It was funny to see how much Marx and God looked like each other. Though Marx’s hair was a bit curlier.”

GEMrub

Did you know that, pre-1979,  Iranian women and girls were free to dress as they chose? THECOMPLETEPERSEPOLISYoung adult and older readers enjoy The Complete Persepolis, which includes Persepolis: The Story of a Childhood and Persepolis 2: The Story of a Return.

If you’ve already read the story, I highly recommend watching The Complete Persepolis motion picture, winner of the Cannes Film Jury Prize in 2007.  Your heart will break for the plight of the Iranian people while you fall in love with Marjane, her colorful grandmother and her courageous family. The artistically exquisite movie provides a perfect summary and refresher after reading the two-part memoir.

INTERVIEW WITH MARJANE SATRAPI

Please share your Persepolis comments, too!

THE ONE AND ONLY IVAN

“One day, a still day when the hot air hummed, the humans came.”
~ Ivan, page 128 in THE ONE AND ONLY IVAN

THEONEANDONLYIVAN600 IVANBACKCOVERMiddle Grade/Chapter Book Fiction
Age Range: 8-12 years
Grade Level: 3-7
HarperCollins Publishers
Text copyright © 2012 by Katherine Applegate
Illustration copyright ©  2012 by Patricia Castelao

AWARDS

2013 Newbery Medal
2012 Christopher Medal
Gold Medal in Juvenile Literature 2012 California Book Award
Society of Children’s Book Writers and Illustrators 2013 Crystal Kite Award Winner
#1 New York Times bestseller
School Library Journal Best of Children’s Books 2012
Kirkus Reviews Best of Children’s Books 2012
Amazon 2012 Best Books of the Year
Middle Grade Chicago Public Library Best of the Best 2012
New York Public Library 100 Books for Reading and Sharing
2012 Cybils shortlist
2012 middle grade fantasy (Children’s and Young Adult Bloggers’ Literary Awards)
Texas Bluebonnet Award, 2013-14 Master List

2012 Nerdies Book Award, middle grade fiction
Starred Review, Kirkus Reviews
Starred Review, School Library Journal
Starred Review, Bulletin of the Center for Children’s Books

WHY THE ONE AND ONLY IVAN IS A KEM GEM

KKRISTI’S TAKE
Grab the box of tissue. THE ONE AND ONLY IVAN, inspired by a real gorilla named Ivan, will change your perspective, forever! In this illustrated novel told from the point-of-view of Ivan himself, Katherine Applegate has taken the tried and true, “when a stranger comes to town” plot, and authentically created heartache, humor and heroics. Ivan, in and of himself, is remarkable; he creates art. When Ivan meets Ruby, a needy baby elephant, he confronts his fears in order to help his peers. This reflective story about a silverback gorilla’s humanity has a silver lining that will leave you shining.

Like the novel, Patricia Castelao’s drawings are extraordinary, simple, yet, sophisticatedly rendered.

Favorite line
“Someday, I hope I can draw the way Julia draws, imagining worlds that don’t yet exist.”

KEM Sapphire
E
ELISE’S TAKE
Katherine Applegate of ANIMORPHS fame has a reputation for weaving humans and animals in unique ways. Her latest narrative combines human emotion and dialogue into the lives of a great silverback and his unlikely collection of friends in the Big Top Mall. Applegate incites sympathy for every one of these characters, not just the indicted performers. We learn to see that the stray dog, the janitor and his daughter, and even the animal trainer have both good intentions and their own personal heartbreaks.

Through quiet, bite-sized chapters, we experience these relationships, the losses each individual has suffered, and the hopes he or she clings to. Although each vignette is packed with emotion and sensory detail, each is also concise enough for readers to digest a little or a lot in one sitting, perfect for a reluctant or busy reader.

Favorite line
“Because she remembers everything, Stella knows many stories. I like colorful tales with black beginnings and stormy middles and cloudless blue-sky endings. But any story will do.”

KEM Diamond
MGrayMARRAS’
 TAKE
This fictional treasure, based on the captivity of Ivan, a real-life silverback, evokes compassion and empathy for all creatures, great and small.

The extra white space formatting of Applegate’s thoughtful text and Castelao’s moving illustrations calls readers into a deeper contemplation of Ivan’s lonely and desperate experience. This gorilla memoir made me feel the bankruptcy of the collapsing infrastructure and the human flaws and frailties surrounding Ivan and his companions. I cheered for Ivan while he thrived as a primate art prodigy and again, when he rediscovered his true nature as protector.

I’m a better human for having experienced life through Ivan’s eyes.

Thanks to Katherine Applegate and Patricia Castelao for following their creative natures to assemble this poignant story of love and self-worth.

Favorite line
“Humans always smell odd when a change is in the air.  Like rotten meat, with a hint of papaya.”

GEMrub

The One And Only Ivan Book Trailer by Katherine Applegate

Please share your One and Only Ivan comments, too!

2014 MN SCBWI Annual Conference

Writing well involves community. A fabulous opportunity awaits you in just two-and-a-half weeks. The 2014 Minnesota Society of Children’s Book Writers and Illustrators will hold their annual conference.

2014_ConferenceTearOffPosterforWebThe first perk of the conference will be the wisdom you’ll gain; the second, the relationships you’ll develop.

If you haven’t signed up, it’s not too late. We can’t wait to see you there!

https://minnesota.scbwi.org/…/2014-mn-scbwi-conference…/

HEN HAD HER HAM

HENHADHERHAMEarly Reader

Age Range:
3-6 years

Reading Level A:
Preschool-Kindergarten

Published by
McGraw-Hill School Division

Text copyright
© 2003 Meish Goldish

Illustration copyright
© 2003 Andy San Diego


WHY HEN HAD HER HAM IS A KEM GEM

KKRISTI’S TAKE
In HEN HAD HER HAM, Meish Goldish constructs a sequentially ordered recipe for learning new words. A simple sentence structure feeds the reader with clear, consistent cues that help build vocabulary, one layer at a time, just like making a sandwich. And like every good recipe, Goldish has the perfect balance of sugar and spice, stacking this leveled book with silly surprises that mix whimsy into what can otherwise be a frustrating experience; learning to read.  Andy San Diego’s illustrations of the only character in the story, the hen, are equally filled with sugar and spice. The hen’s facial expressions encourage a beginning reader as they struggle to make phonetic sounds. The true gem of this book is that it combines consistency with silliness.

Favorite line
“Hot peppers? HOT! HOT! HOT!”

KEM Sapphire


EELISE’S TAKE
This easy reader is a splendid reminder of where we all started. Using one and two-syllable words, Goldish takes us through a simple action done by a simple character. San Diego’s no-nonsense illustrations provide some direction, but they are by no means a crutch for a young reader. The gross factor in Hen’s choice of condiments will keep kids turning pages until the end reveals a slight shift in both text and illustrations. Hen’s final condiment is her undoing as she bites into her meal. Hen and her sandwich are a fun and silly way for new readers to meet milestones in literacy and know the triumph of completing an entire book.

Favorite line
“Hen had her ham with grape jelly.”

KEM Diamond


MGrayMARRAS’ TAKE
In HEN HAD HER HAM, Meish Goldish’s funny word sandwiches stimulate the appetites of new readers. Illustrator Andy San Diego’s  adventurous, googly-eyed  protagonist educates via giggle-inducing entertainment.

HEN HAD HER HAM taught my youngest granddaughter that she can read–and read well. Our early reader’s confidence has grown to the point that she typically re-reads HEN’S story until A) she gets hungry, or B) a grownup hides the book to keep their eyes from glossing over.

I can particularly identify with Hen because her tongue sticks out when she concentrates; like mine, as I write this. And I’m wondering why San Diego didn’t draw her some milk to follow that surprise ending. Water’s not going to help.

Our copy is a little bent, but if you ever want to borrow HEN HAD HER HAM, I know a little girl who would read it to you.

GEMrub

 Please share your HEN HAD HER HAM comments, too!

One More Moment, Please

“We’ll be friends forever, won’t we?” asked Piglet.
“Even longer,” Pooh answered.
~A.A. Milne, WINNIE-THE-POOH

FIXMEUP600Piglet and Pooh’s thoughtful exchange opens the “Fix Me Up” music video featuring Zach Sobiech, Sammy Brown, and Reed Redmond of A Firm Handshake.

The “Fix Me Up” soundtrack sprouted from the trio’s resolve to bring beauty and goodness out of 18-year-old Zach’s terminal diagnosis and impending death from osteosarcoma. In “Fix Me Up” Sammy pleads, “One more moment, please.” The Piglet/Pooh dialog fittingly echoes Sammy and Zach’s heartache, love, dread, and hope. By communicating their conflicting emotions with such urgent truth and transparency, the life-long friends remind us that sooner is better. Their message has hit a universal cord, as proven by Zach’s #1 hit single “Clouds”.

Bestselling children’s book author Kate DiCamillo uses music to create a specific mood in her books. In 2006, a New York Public Library Author Chat participant asked,”Which music would be the best soundtracks to accompany your books?”

DiCamillo answered,  “I wrote Despereaux to Bach, Winn-Dixie to Van Morrison, Edward to Rachmaninoff. Does that help?”

I’ve toiled to find the perfect songs for my work.  For children’s books, I’ve found that Veggietales Radio produces better results than Etta James. For my family memoir, baroque keeps me serious, but too stuffy. Buddy Holly helps me remember, but I find myself dancing instead of writing and regressing to an age nobody else remembers.  Colbie Callait helps me forget, but that’s not good when you’re writing a memoir.

I could waste a lot of time selecting songs and never do the work. My distracted mind needs music of focused urgency. Tuesday, my craft received a defribulating jolt when I won the “Fix Me Up” Deluxe Edition CD and music video DVD in a door prize drawing.

I’d already received a what-are-you-waiting-for kick in the pants while laughing, crying, and crying some more through Zach’s mother Laura Sobiech’s memoir, Fly a Little Higher.

Laura wrote Fly a Little Higher  in only twelve weeks, just months after her son’s death–with no lack of professionalism or clarity. I hadn’t been so inspired by a family story since Atticus raised Scout and Jem in To Kill A Mockingbird. And I’d never experienced such a graceful, life-giving death in someone so young–or old–ever. The Sobiech experience spoke to me. It said, “What are you waiting for?”

I bought extras for gifts. Shhhh.

I bought extras for gifts. Shhhh.

 

Zach (and Laura) raised the bar to billowy heights, but Zach’s short life reminds us to share our talents, not hide or waste them. And now we have his music to encourage and inspire us to reach higher in whatever we’re doing.

Now my favorite ear candy while writing for children: “Sandcastles” and “Star Hopping”. For living, breathing, memoir writing, and everything else: the “Fix Me Up” soundtrack set to repeat.

A Firm Handshake‘s melodies soar; their words stir, yet fill you with hope. By baring and sharing the fruit of their young, wise souls, the trio challenges others to be real, to step into the unknown despite our fears, and to live while dying.

“Because, let’s face it–we’re all dying.” ~ Laura Sobiech.

To experience more of this story, go to Zach Sobiech’s Page on the Children’s Cancer Research Fund website, especially SoulPancake’s  documentaries preceding and one year after Zach’s death.

Other links for you

I’ll leave you with KS95’s Largest Choir’s singing “Clouds” .

Zach Sobiech-RIP
May 3, 1995 – May 20, 2013

“How lucky I am to have something that makes saying good-bye so hard.”
~A.A. Milne, WINNIE-THE-POOH

Free Train Rides For Writers

All Aboard!

Check this out:
Inside Amtrak’s (Absolutely Awesome) Plan to Give Free Rides to Writers.

TrainView

Amtrak developed  “writer’s residencies”–free round trip train rides for writers to write. The Wire blog post by Ben Cosman says it all started with a twitter conversation that Zach Seward started, “I wish Amtrak had residencies for writers.” Jessica Gross took the ball and ran with it. “How much momentum do we have to gain for this to become real, @Amtrak?”

Amtrak responded, “We’d need a test run. You two up for a trip to Chicago and back?”

TrainThis is a perfect public relations opportunity for Amtrak. They have one small no-brainer requirement of their writing guests–to write about their experience on social media and to agree to a company blog interview at the end of the excursion.

Jessica Gross, the first “writer in residency”, wrote “Writing the Lakeshore Limited” in the Paris Review.

TrainAdventure

It’s not free, but it’s priceless. Osceola & St. Croix Valley Railway offers train rides from May through October. Click on the photo for the Minnesota Transportation Museum website.

Amtrak Social Media Director Julia Quinn said that Amtrak is open to offering residencies to writers with a variety of writing back-grounds, focusing on those with a strong social media presence.

You can’t actually sign up for this, yet.

Amtrak is working out the details. But competition will be fierce. So, if you want a writer’s seat, tweet. That’s how this train ride got started.

Now what?

Aruthur Rackham's illustration from GOLDILOCKS AND THE THREE BEARS from the Project Gutenberg archives.

Aruthur Rackham’s illustration from GOLDILOCKS AND THE THREE BEARS from the Project Gutenberg archives.

So, you’ve subjected your manuscript to writers’ conference reviews.

  • Papa Editor says your manuscript is too soft/lame/dull.
  • Mama Agent says it is too hard/scary/implausible.
  • And your Baby Peer Group says it is just right, except for a few hundred nagging flaws.

Now what?

  • Sleep until noon.
  • Eat bon-bons.
  • Complain on Facebook that editors, agents, and other writers don’t know their succotash from Shinola.

Just kidding!

Post manuscript review steps

1. Detach

  • Know that your reason for living is not dependent on those 600/9000/48,000 words.
  • To avoid burn out and increase objectivity, let the project rest in a drawer for two weeks or more.
  • Start another project. Many successful authors juggle several manuscripts at once. Epiphanies often occur while focusing on something else.

2. Look for middle ground

Note opposing revision suggestions. You can’t incorporate both, so see if the middle ground makes sense.

For instance, one manuscript reviewer advised that I intensify a storm scene to make it scarier. The next suggested that volatile weather may be too scary for children.

Because of favorable input received earlier from a test group, I plan to meet in the middle and leave the storm as is. If I didn’t feel confident and couldn’t decide which advice was best, I would save my original manuscript, rename and rewrite it  the two suggested ways, and select the best.

Writing exercises are never wasted.

3. Note common threads

Listen and check your notes for common threads of advice. This indicates a weak point. A common thread regarding my aforementioned manuscript is a preference for a supporting character over the protagonist.

To improve the manuscript according to this feedback, I can:

  • change my protagonist to make him/her stand out.
  • advance the supporting character to the rank of protagonist, knowing this may change the genre, theme, and story.
  • create an entirely new protagonist.

What critique advice have you heard more than once?

4. Note common sense

An editor noticed a scene where I had gotten sidetracked. I tend to be a bit attention deficit. SQUIRREL! To compensate for the shortcomings in my personality, I plan to change my writing process. It’s dangerous for someone like me to just write and hope it takes me to a logical place. ICE CREAM! I will need an outline to keep me on track. Common sense will save me from ending up in an entirely different story and writing ten times more material than I need.

What common sense advice speaks to you?

5. Incorporate the best advice

Save your manuscript under a new name and incorporate the common thread and common sense advice. If others, especially the professionals, agree that chapters, phrases, and words do not carry your story forward cut or change them.

You can go back to the original if you don’t like what you get. But I’m guessing you’ll be pleasantly surprised.

6. Test your manuscript

Revise, then test your manuscript with readers of the age group you are targeting. In extreme critique instances, ask your test group to select between the two different revisions and the original. If the pieces are too long, offer three different synopses for comparison.

My manuscript was originally written without a storm. The youngest member of my test group suggested one. Post-revision, the test group says the story is way cooler with a storm and it’s just the right amount of scary.

Trust your target audience. They’re the best indicator of the marketability of your story.

7. Start again (Back to Baby Peer Group, Mama Agent, and Papa Editor)

At the October 2013 Iowa SCBWI conference, a participant received a submission request from a major publishing house director. This friend started her manuscript over a decade ago.

“She’s arrived!” you say?

Not yet. She’ll follow the post-manuscript-review steps, then she’ll submit her manuscript.

I can’t wait to tell you how the story ends.