SOLD

“Fact: There are more individuals in slavery today than at the height of trans-Atlantic slave trade.” Polaris, a non-profit organization working to combat human trafficking

SOLDPatriciaMcCormickYoung Adult,
Fiction

Age Range:
14 years & up

Grade Level:
9 and up

Text copyright:
Patricia McCormick © 2006

Published by:
Disney-Hyperion

 

 

 

 

 

AWARDS

  • ALA Top 10 Best Book for Young Adults 2007
  • National Book Award Finalist 2007
  • National Public Radio – Top 100 Books of the Year 2007
  • Book Sense Pick 2007
  • California Young Reader Medal 2007
  • Quill Award 2007
  • Gustav-Heinemann-Peace Prize 2008
  • Elliot Rosewater Award 2009-2010

SOLD, THE MOVIE

  • Executive Producer Emma Thompson and Director Jeffrey Brown will bring SOLD to screens March 15, 2015, limited release.

WHY SOLD IS A KidLit GEM

KKRISTI’S TAKE
The YA novel, SOLD, is told with rich, lyrical metaphors, each vignette, more masterful than the next. Like a playmate, Patricia McCormick takes your hand and guides you to see, hear and feel what Lakshmi’s life in Nepal is like. And then, like the monsoon, washes it all away, as the metaphors shift from land and sky to survival and endurance.

Unlike the endearing Tali, the black and white billy goat, SOLD is a story about all that is gray in life. Meehhhh!

McCormick wisely uses the voice of an eager, innocent, thirteen-year-old narrator to help the reader endure this haunting journey, for without the element of hope, I’d sooner endure a monsoon. The very element that make’s the harsh reality of sex trafficking palatable, Lakshmi’s innocence, makes the taking of it, all the more heart wrenching. I applaud McCormick for not tiptoeing around the harsh reality of sex trafficking.

Favorite line
 “Simply to endure is to triumph.”

KEM Sapphire
E
ELISE’S TAKE
SOLD is both convicting and compelling for those of us privileged with a secure, loving environment. Patricia McCormick’s well-researched novel is gripping, not only because of its personal perspective and thoughtful, emotionally charged vignettes, but also because this story could belong to any of the millions of women and children imprisoned in sex trafficking today. McCormick doesn’t soften the edges, staying true to the callous reality of Lakshmi’s nightmare. But instead of focusing on the details of Lakshmi’s forced sexual encounters, she concentrates on the emotional trauma of a girl robbed of her home, health, identity, and innocence.

While the novel’s intimate point of view will certainly draw cruel disappointment time after time as Lakshmi is repeatedly abused and abandoned, readers are also given hope through this young woman’s stunning resilience and the compassion and courage of those who save her.

Favorite line
How odd he is, this man who pays for a girl and does nothing but talk.
KEM Diamond
MGrayANNA MARRAS’ TAKE
I won’t kid you. SOLD is a difficult read. Patricia McCormick’s first-person  account from thirteen-year-old sex trafficking victim, Lakshmi, will drain the color from your face and develop knots in your gut. As I read the book, lounging under a cozy blanket on my comfortable couch in my comfortable home, it repulsed and horrified me to consider the young children that were being violated in all parts of the world at that very moment. And that repulsion and horror won’t leave until their nightmare stops.

After entering Lakshmi’s world, where a hug and a pencil meant everything, I felt ashamed of my apathy and ingratitude. Lakshmi’s gentle narrative shook me to say, “Look! See! Do something!” And that’s good. After all, that’s what the gutsy author/activist intended.

Favorite lines
I have been beaten here, locked away, violated a hundred times and a hundred times more. I have been starved and cheated, tricked and disgraced.

How odd it is that I am undone by the simple kindness of a small boy with a yellow pencil.

GEMrub

I must admit, we didn’t consider the Valentine’s  weekend timing when we selected this Gem. But there’s no better story to show what happens without love.

Consider the gravity of the statistics. According to Polaris, trafficking affects 161 countries worldwide, enslaving an estimated 20.9 million men, women, and children for forced labor or commercial sex.

Educate Yourself:

Do Something:

Get Help:

Please share your SOLD comments with us!

THE STORY OF FROG BELLY RAT BONE

FBRBPicture book,
Fiction

Age Range:
4-8 years

Grade Level:
K-3

Text and illustrations by Timothy Basil Ering © 2003

Published by Candlewick Press

 

AWARDS

A NICK JR. FAMILY MAGAZINE Best Book of the Year
A New England Book Show Juvenile Category Winner
A New York Book Show Children’s Trade Hardcover Winner

WHY THE STORY OF FROG BELLY RAT BONE IS A KEM GEM

KKRISTI’S TAKE
Like the boy’s wish in this story, I found a true TREASURE. The expressionistic illustrations in THE STORY OF FROG BELLY RAT BONE are distinctively whimsical! With splatters of speckles and spackles, the tactile textures and twine are untraditional, uninhibited and sublime. Once I finally stopped admiring Timothy Basil Ering’s masterpiece, I still admire it, I understood that Ering’s message was as tender as the “tiny gray specks” that sprout into “wonderous riches”.  Every child will delight in this fantastical story about treasures, thieves, friendship and patience; thanks to Frog Belly Rat Bone.

Favorite line
“Stand tall, Frog Belly Rat Bone!” shouted the boy, waving his hands like a wizard.

KEM Sapphire
E
ELISE’S TAKE
Holy texture, Batman! The raised cover! The scratchy text! The acrylic washes and scuffs! Ering’s sense of ingenuity and fun is immediately reflected not only in his unconventional artwork, but also in a main character on the hunt for great things in unexpected places. He manifests his humor in the gestures and expressions of the curious boy, the conniving thieves, and of course, in swollen Frog Belly Rat Bone himself. Even the title, FROG BELLY RAT BONE is fun to say again and again. Readers of all ages will enjoy the messy spreads in Ering’s tale of friendship, patience, and the joy of discovering treasure.

Favorite line
“Frog Belly Rat Bone, one, two, three…You are the monster who will protect the specks.”

KEM Diamond
MGrayANNA MARRAS’ TAKE
Timothy Basil Ering created a clever tale of possibilities by juxtaposing the dark, drab, dreariness of cement and metal with vibrant flowers and exuberant creatures. I’ve grown especially fond of two supporting characters, a funny rabbit and a fruit fly wearing an “I Heart Jelly” t-shirt.

Young readers will love exploring for the unexpected within. For instance, in one last lovable spread, Basil stitched his story together, just like he stitched up his dancing protagonist Frog Belly Rat Bone.

This story may make you scratch your head. But in a good way. Basil’s living and breathing text and illustrations help us believe that something can come out of nothing. And the best riches are often camouflaged—in little specks, unlikely heroes, and the art of diplomacy.

Favorite line
 “Monster!” said Frog Belly Rat bone. “But my dear boy, you’ve made me far too good-looking to be a monster!”

GEMrub

Other children’s books illustrated by Timothy Basil Ering:

  • Newberry Award Winning The Tale of Despereaux by Kate DiCamillo
  • Finn Throws a Fit by David Elliot
  • Punkzilla by Adam Rapp
  • Necks Out For Adventure by Timothy Basil Ering
  • Sad Doggy by Jennifer B. Lawrence

Please share your The Story of Frog Belly Rate Bone comments!

THE BEST CHRISTMAS PAGEANT EVER

As KEM’s Christmas gift to you, we recommend The Best Christmas Pageant Ever, a seasonal classic you’re sure to love.

BestChristmasPageantEver6Chapter Book Fiction
Text copyright © 1972
Barbara Robinson
Picture copyright © 1972
Judith Gwyn Brown
Published by HarperCollins

AWARDS

ALA Notable Children’s Book
Georgia Children’s Book Award
Indiana’s Young Hoosier Book Award
Minnesota’s Maud Hart Lovelace Book Award
2012 School Library Journal’s Top Hundred Children’s Novels
Library of Congress Children’s Books


WHY THE BEST CHRISTMAS PAGEANT EVER IS A KEM GEM

KKRISTI’S TAKE
Barbara Robinson’s first person story about misfits is outrageously funny. Like all true comedies, that which is tragic is conversely Herdmanlarious. Robinson’s narration accomplishes this edge through the voice of the innocent, yet watchful protagonist’s narration. The unbiased account of the Herdman’s understanding of the birth of Jesus is sweet and provoking. Ask yourself, would you want a bullying Herdman in your classroom? Like Jesus, the narrator embraces the scarcely lovable and interjects wisdom upon her fellow peers’ and parisioners’ judgmental ways. Afterall… isn’t that the point of Christmas, to open our hearts, unto ALL?

Favorite line
But as far as I’m concerned, Mary is always going to look a lot like Imogene Herdman–sort of nervous and bewildered, but ready to clobber anyone who laid a hand on her baby.

KEM Sapphire
E
ELISE’S TAKE
Second only to the Bible, this was the most-read Christmas story in my house growing up. My dad still can’t read it aloud without stopping to gasp for air. Barbara Robinson brilliantly captures the politics of the everybody-knows-everybody small town, and the chaos of the annual Christmas pageant in a small town church. Her characters remind you of your neighbors and the kids you grew up with, her dialogue pokes fun at annual Christmas traditions and expectations, and her Herdmans show us what it must be like to hear the Christmas story for the very first time. Ralph, Imogine, Leroy, Claude, Ollie, and Gladys ask the questions that those of us who grew up in church often fail to ask, and the result is a very sincere and poignant version of the nativity, black eyes and all.

Favorite line
“…Joseph and Mary, his espoused wife, being great with child…”

“Pregnant!” yelled Ralph Herdman.

Well. That stirred things up.

KEM Diamond
MGrayANNA MARRAS’ TAKE
This story brought me from stomach-buckling laughter to pillow-hugging tears. Barbara Robinson shared the true meaning of Christmas without proselytizing or gushing. Through subtle humor from the curious introspection of the young narrator, most of this story touches your heart between the lines. It’s tragic, because many of us know the Herdman’s—that family of practically-orphans lost between the cracks of society. Yet, it’s magic, because Robinson showed us how a rag-tag troop of clueless outcasts can teach an entire community about acceptance, growth, and wonderment. And Robinson accomplished this without adding one iota of pity or condescension.

Favorite line
Mrs. Wendleken didn’t even want cats to have kittens or birds to lay eggs, and she wouldn’t let Alice play with anybody who had two rabbits. 

GEMrub


Please share your The Best Christmas Pageant Ever comments!

PERSEPOLIS: THE STORY OF A CHILDHOOD

 “. . . Since then, (1979, after the Shah fled Iran to escape the Islāmic revolution), this old and great civilization has been discussed mostly in connection with fundamentalism, fanaticism, and terrorism. As an Iranian who has lived more than half of my life in Iran, I know that this image is far from the truth. This is why writing Persepolis was so important to me. I believe that an entire nation should not be judged by the wrongdoings of a few extremists. I also don’t want those Iranians who lost their lives in prison defending freedom, who died in the war against Iraq, who suffered under various repressive regimes, or who were forced to leave their families and flee their homeland to be forgotten.

One can forgive but one should never forget.”

~From the introduction of THE COMPLETE PERSEPOLIS
Marjane Satrapi, Paris, September 2002

PersepolisGraphic Novel, Memoir
by Marjane Satrapi

Copyright © 2000 in French, by L’Association, France
Persepolis
English translation copyright © 2003 by L’Association, France
Published in the United States by Pantheon Books, a division of Random House

Age Range: 11 years-adult
Grade Level: Middle Grade-Adult

Text and illustrations by Marjane Satrapi

 

 

AWARDS

Prix Alph’art Coup de Coeur at Angoulême
Prix du Lion in Belgium
Prix Alph’art du meilleur scénario
The Prix France Info
The Young Adult Library Association Recommendation
Named one of “100 Best Books of the Decade” by The Times (London)
Winner of the 2003 Fernando Buesa Peace Prize (Spain)
A New York Times Notable Book
A Time Magazine “Best Comix of the Year”

WHY PERSEPOLIS:THE STORY OF A CHILDHOOD IS A KEM GEM

KKRISTI’S TAKE
Marjane Satrapi’s autobioGRAPHIC novel is: an art form with comic content, a coming of age narration, illustrative of revolutionary Iran, unique, historical, and provocative! Reading it felt a bit like scanning a box of Satrapi’s neatly organized film negatives. The sparse and purposeful word choice intensifies Satrapi’s high-contrast inking. The wedding of her visual and literary style provides the perfect medium to unveil BOLD commentary about how the Islāmic Revolution tainted childhood innocence.   Although this rebellious first person narration is rendered in black & white, PERSEPOLIS delves into the murky greyness of political conflict; a YA must read!

Click here for chapter summaries.

Favorite line
“The revolution is like a bicycle. When the wheels don’t turn, it falls.”

KEM Sapphire
E
ELISE’S TAKE
Although PERSEPOLIS is heavy with political and social issues, Marjane Satrapi’s childlike perspective is still refreshing and relatable. She gives readers an honest and poignant look at the traditions that suppress many in her distant Iranian culture. Simultaneously, we also read about a girl whose struggle with identity and security is not so different from our own. Marji’s experiences of making friends and understanding political changes, as well as her quest for independence and respect are universal themes to which readers of all ages will relate.

Visually, PERSEPOLIS is a marvelous spin on the traditional memoir. The graphic layout offers a genre for young readers who still crave visual references at an age when other illustrated books may appear childish. The images give a youthful quality to some difficult subjects, yet the novel remains sophisticated in its simple, organized presentation.

Favorite line
“I tell you all this because it’s important that you know. Our family memory must not be lost. Even if it’s not easy for you, even if you don’t understand it all.”

KEM Diamond
MGrayMARRAS’ TAKE
Because this graphic memoir lives up to its genre, PERSEPOLIS: THE STORY OF A CHILDHOOD makes a riveting read for all middle grade through adult readers. In this, Satrapi relives her childhood in a country gone mad. Satrapi explains the complexities of war, politics, Iranian history, and culture through reflective but stark black and white comic strips. The absence of red, the color of gore and bloodshed, mercifully buffers readers from the unspeakable suffering inflicted by the Islāmic Revolution. The absence of censorship thwarts the aggrandizement of war. Satrapi’s humor serves as an unexpected encourager, prodding us forward with hope.

As a child, Marjane Satrapi desired to become a prophet. As a young adult she desired to become a revolutionary. In her own way, she accomplished both.

Favorite line
“It was funny to see how much Marx and God looked like each other. Though Marx’s hair was a bit curlier.”

GEMrub

Did you know that, pre-1979,  Iranian women and girls were free to dress as they chose? THECOMPLETEPERSEPOLISYoung adult and older readers enjoy The Complete Persepolis, which includes Persepolis: The Story of a Childhood and Persepolis 2: The Story of a Return.

If you’ve already read the story, I highly recommend watching The Complete Persepolis motion picture, winner of the Cannes Film Jury Prize in 2007.  Your heart will break for the plight of the Iranian people while you fall in love with Marjane, her colorful grandmother and her courageous family. The artistically exquisite movie provides a perfect summary and refresher after reading the two-part memoir.

INTERVIEW WITH MARJANE SATRAPI

Please share your Persepolis comments, too!

THE ONE AND ONLY IVAN

“One day, a still day when the hot air hummed, the humans came.”
~ Ivan, page 128 in THE ONE AND ONLY IVAN

THEONEANDONLYIVAN600 IVANBACKCOVERMiddle Grade/Chapter Book Fiction
Age Range: 8-12 years
Grade Level: 3-7
HarperCollins Publishers
Text copyright © 2012 by Katherine Applegate
Illustration copyright ©  2012 by Patricia Castelao

AWARDS

2013 Newbery Medal
2012 Christopher Medal
Gold Medal in Juvenile Literature 2012 California Book Award
Society of Children’s Book Writers and Illustrators 2013 Crystal Kite Award Winner
#1 New York Times bestseller
School Library Journal Best of Children’s Books 2012
Kirkus Reviews Best of Children’s Books 2012
Amazon 2012 Best Books of the Year
Middle Grade Chicago Public Library Best of the Best 2012
New York Public Library 100 Books for Reading and Sharing
2012 Cybils shortlist
2012 middle grade fantasy (Children’s and Young Adult Bloggers’ Literary Awards)
Texas Bluebonnet Award, 2013-14 Master List

2012 Nerdies Book Award, middle grade fiction
Starred Review, Kirkus Reviews
Starred Review, School Library Journal
Starred Review, Bulletin of the Center for Children’s Books

WHY THE ONE AND ONLY IVAN IS A KEM GEM

KKRISTI’S TAKE
Grab the box of tissue. THE ONE AND ONLY IVAN, inspired by a real gorilla named Ivan, will change your perspective, forever! In this illustrated novel told from the point-of-view of Ivan himself, Katherine Applegate has taken the tried and true, “when a stranger comes to town” plot, and authentically created heartache, humor and heroics. Ivan, in and of himself, is remarkable; he creates art. When Ivan meets Ruby, a needy baby elephant, he confronts his fears in order to help his peers. This reflective story about a silverback gorilla’s humanity has a silver lining that will leave you shining.

Like the novel, Patricia Castelao’s drawings are extraordinary, simple, yet, sophisticatedly rendered.

Favorite line
“Someday, I hope I can draw the way Julia draws, imagining worlds that don’t yet exist.”

KEM Sapphire
E
ELISE’S TAKE
Katherine Applegate of ANIMORPHS fame has a reputation for weaving humans and animals in unique ways. Her latest narrative combines human emotion and dialogue into the lives of a great silverback and his unlikely collection of friends in the Big Top Mall. Applegate incites sympathy for every one of these characters, not just the indicted performers. We learn to see that the stray dog, the janitor and his daughter, and even the animal trainer have both good intentions and their own personal heartbreaks.

Through quiet, bite-sized chapters, we experience these relationships, the losses each individual has suffered, and the hopes he or she clings to. Although each vignette is packed with emotion and sensory detail, each is also concise enough for readers to digest a little or a lot in one sitting, perfect for a reluctant or busy reader.

Favorite line
“Because she remembers everything, Stella knows many stories. I like colorful tales with black beginnings and stormy middles and cloudless blue-sky endings. But any story will do.”

KEM Diamond
MGrayMARRAS’
 TAKE
This fictional treasure, based on the captivity of Ivan, a real-life silverback, evokes compassion and empathy for all creatures, great and small.

The extra white space formatting of Applegate’s thoughtful text and Castelao’s moving illustrations calls readers into a deeper contemplation of Ivan’s lonely and desperate experience. This gorilla memoir made me feel the bankruptcy of the collapsing infrastructure and the human flaws and frailties surrounding Ivan and his companions. I cheered for Ivan while he thrived as a primate art prodigy and again, when he rediscovered his true nature as protector.

I’m a better human for having experienced life through Ivan’s eyes.

Thanks to Katherine Applegate and Patricia Castelao for following their creative natures to assemble this poignant story of love and self-worth.

Favorite line
“Humans always smell odd when a change is in the air.  Like rotten meat, with a hint of papaya.”

GEMrub

The One And Only Ivan Book Trailer by Katherine Applegate

Please share your One and Only Ivan comments, too!

1 ZANY ZOO

DegmanOneZanyZooPicture Book Fiction
Age Range: 3-7 years
Grade Level: Preschool-2
Simon & Schuster Books for Young Readers
Text copyright © 2010 Lori Degman
Illustration copyright ©  2010 by Colin Jack

AWARDS

2008 Cherrios New Spoonful of Stories New Author Contest
Mom’s Choice Awards
Nominated for the 2012-2013 South Carolina Children’s Picture Book Award

WHY 1 ZANY ZOO IS A KEM GEM

KKRISTI’S TAKE
1 Zany Zoo
by Lori Degman and illustrated by Colin Jack packs a real punch with a rhyming zoo bunch. This classical counting book’s tightly woven narration craftily uses animal antics and alliteration to recall a boy’s early arrival at a zoo. I love that the snappy Seussian text has been paired with equally fanciful hand-drawn ink sketches. The digital cartoon images elevate the hilarity of the romp, after all, it’s not everyday that elephants pack their trunks.  A contemporary classic!

Favorite line 
“9  fickle leopards are waiting in line to trade in their spots for some fresh new designs!”

KEM Sapphire
E
ELISE’S TAKE
Degman’s winning manuscript provides a much-needed example of a rhyming story that is in fact a story. Though the events of the morning are somewhat episodic, we do see a rise in action and feel the zookeeper’s growing frustration as he hunts for his stolen keys. The rhyming is not forced or generic, and the chaotic characters are anything but predictable. Degman gives opportunity for young readers to count and name a wide variety of zoo animals. Even skunks, often overlooked in animal-themed books, get some time in the spotlight.
Jack’s hilarious, expressive characters and active line work is perfect for this busy story. He provides viewers with a hidden fox on each page and plenty of details to discover each time they return to this rousing chase.

Favorite line
“7 sad hippos were making repairs, from damage they caused playing musical chairs.

KEM Diamond
MGrayMARRAS’ TAKE
Children of all ages will wait in line for good rhyming picture books. Kids, for immediate gratification, and adults, because they know how silly stanzas endure from generation-to-generation through memorization and retelling. Like colorful cotton candy, funny rhymes almost always make you happy. Yet they have extra staying and bonding power when crystallized. That’s why I’d wait in line for Lori Degman’s 1 Zany Zoo, because I know the story will stick around awhile.

Few can write humor and few can write poetry, but Degman does both. And well.

Jack Colins’ whimsical illustrations and retro color palette make me feel young again. They take me back to Hanna and Barbera, Loony Tunes, and Disney classics. And new, hilarious details jumps out with every reading. Bravo!

Favorite line
“2 sporty zebras in goggles and flippers were snipping the walrus’s whiskers with clippers.”

GEMrub

Many children’s book legends were/are also picture book poets: A. A. Milne, Theodor Seuss Geisel, Shel Silverstein, Jack Prelutsky, Judith Viorst, Dan Yaccarino, Anna Dewdney, Corey Rosen . . .

But agents and editors will beg you not to write a rhyming picture book. Why? Because they are drowning in poorly written submissions.

What makes a rhyming picture book so hard to write or publish?

  • Phrases need to read smoothly, with precise beats, using words that are fresh, original, and intriguing—not the standard “you”, “to”, and “blue”.
  • Each rhyme should be pure, but not forced. A book with too many near-rhymes, like “tag” and “bake” will annoy, not entertain its readers.
  • A good picture book requires a plot that unfolds naturally, without being manipulated to fit rhymes.
  • Rhyming stories are difficult to translate into other languages. These limitations make them a bigger challenge to market internationally.

Yet, what books do you most cherish from your childhood? We’re willing to bet there’s at least one rhyming picture book on your list.

Please share your 1 Zany Zoo comments, too!

KIRA-KIRA

KiraKiraMiddle Grade Fiction
Age Range: 10-14 years
Grade Level: 5-9
Atheneum Books for Young Readers
Text copyright © 2005 Cynthia Kadohata
Cover photo copyright ©  2004 Julia Kuskin
Book design by Ann Sullivan
Jacket design by Russel Gordon

 AWARDS

2005 John Newbery Medal
ALA Notable Children’s Books
Asian/Pacific American Award for Literature
Blue Spruce YA Book Award Nominee (CO) Booklinks Lasting Connections
Booklist Editors’ Choice
CCBC Choices (Cooperative Children’s Book Council)
California Collections Capitol Choices List (DC)
Charlotte Award Suggested Reading List (NY)
Dorothy Canfield Fisher Book Award Master List (VT)
Garden State Teen Book Award Nominee (NJ)
KSRC Middle School Titles – Top Pick
Kiriyama Prize Notable Book NYPL
“Books for the Teen Age” Nene Award Master List (HI)
Pacific Northwest Young Reader’s Choice Award
Master List Thumbs Up! Award Master List (MI)

WHY KIRA-KIRA IS A KEM GEM

KKRISTI’S TAKE
Cynthia Kadohata’s KIRA KIRA is a shining example of a contemporary book for young readers that delves into the prejudices Japanese American kids experienced post-WWII. The first person prose reads simplistically, pointedly and often contains vignettes that feel like they have been torn straight from a journal. A journal, much like Katie Takeshima’s sister’s diary. Kadohata accomplishes this authenticity through her details that always foreshadow, from the first line, all the way to the last line. There’s just enough, but not too much. This mastery of careful observation is also evident in Kadohata’s characters that leap from the page, both perfect and imperfect. I found myself wishing for a sister, just like Lynn, even if it meant experiencing illness and loss, because in the end, the glimmering gift of hope endured.

Favorite line
“I keep her diary in a drawer next to my bed.”

KEM Sapphire
EELISE’S TAKE
Katie Takeshima may struggle to find themes in her assigned readings for school, but the themes of persistence, sacrifice, and love clearly permeate her narration. Kira-Kira is described as the Japanese term for glittering or shining, and Kadohata’s writing truly shines when she slows down to reveal a conversation, a car ride, or a family meal. I found myself rushing through Kadohata’s frequent summarizations to get to her next fully realized scene. Kadohata doesn’t focus explicitly on discrimination in this mid-century novel, nor does she leave it out. This Japanese family is not called names or physically harmed, but neither are they included in regular society or given equal opportunities in their Deep South neighborhood. The topic is subtle (often the case with discrimination). In the end, however, familial love and service outshines the community’s prejudices.

Favorite line
It was as if the house were healing Lynn. That made me love the house even more than I would have anyway.

KEM Diamond
MGrayMARRAS’ TAKE
For me, a novelist hits a home run when their story makes my laughing tears co-mingle with my sad ones. Cynthia Kadohata hit a homer. Her first- person novel, KIRA-KIRA, seems so genuine, you’d swear she’d written a memoir as a youth. Kadohata welcomes readers into the intimate and difficult lives of the Japanese-American Takeshima family as their middle child, Katie, grows from a 5 year old in the 50s into an adolescent in the 60s. Kadahota covers the topics of family, work, reproduction, friendship, marginalization, and death with such naïve, thoughtful, and inquisitive candor, I came away feeling like Katie Takeshima truly lived and breathed as my quirky childhood friend.

Favorite line
When Uncle Katuhisa knocked on the door, I made him give me a password. He said with irritation, “Open up now, young lady, or bear my wrath.” That happened to be the password, so I opened the door.

GEMrub

At the 2014 Society of Children’s Book Writers and Illustrators Summer Conference in Los Angeles, Kahodata shared that her Kira-Kira inspiration came from the life and death of her beloved dog. That must have been one delightful pet.

Please share your KIRA-KIRA comments, too!

HEN HAD HER HAM

HENHADHERHAMEarly Reader

Age Range:
3-6 years

Reading Level A:
Preschool-Kindergarten

Published by
McGraw-Hill School Division

Text copyright
© 2003 Meish Goldish

Illustration copyright
© 2003 Andy San Diego


WHY HEN HAD HER HAM IS A KEM GEM

KKRISTI’S TAKE
In HEN HAD HER HAM, Meish Goldish constructs a sequentially ordered recipe for learning new words. A simple sentence structure feeds the reader with clear, consistent cues that help build vocabulary, one layer at a time, just like making a sandwich. And like every good recipe, Goldish has the perfect balance of sugar and spice, stacking this leveled book with silly surprises that mix whimsy into what can otherwise be a frustrating experience; learning to read.  Andy San Diego’s illustrations of the only character in the story, the hen, are equally filled with sugar and spice. The hen’s facial expressions encourage a beginning reader as they struggle to make phonetic sounds. The true gem of this book is that it combines consistency with silliness.

Favorite line
“Hot peppers? HOT! HOT! HOT!”

KEM Sapphire


EELISE’S TAKE
This easy reader is a splendid reminder of where we all started. Using one and two-syllable words, Goldish takes us through a simple action done by a simple character. San Diego’s no-nonsense illustrations provide some direction, but they are by no means a crutch for a young reader. The gross factor in Hen’s choice of condiments will keep kids turning pages until the end reveals a slight shift in both text and illustrations. Hen’s final condiment is her undoing as she bites into her meal. Hen and her sandwich are a fun and silly way for new readers to meet milestones in literacy and know the triumph of completing an entire book.

Favorite line
“Hen had her ham with grape jelly.”

KEM Diamond


MGrayMARRAS’ TAKE
In HEN HAD HER HAM, Meish Goldish’s funny word sandwiches stimulate the appetites of new readers. Illustrator Andy San Diego’s  adventurous, googly-eyed  protagonist educates via giggle-inducing entertainment.

HEN HAD HER HAM taught my youngest granddaughter that she can read–and read well. Our early reader’s confidence has grown to the point that she typically re-reads HEN’S story until A) she gets hungry, or B) a grownup hides the book to keep their eyes from glossing over.

I can particularly identify with Hen because her tongue sticks out when she concentrates; like mine, as I write this. And I’m wondering why San Diego didn’t draw her some milk to follow that surprise ending. Water’s not going to help.

Our copy is a little bent, but if you ever want to borrow HEN HAD HER HAM, I know a little girl who would read it to you.

GEMrub

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BINK & GOLLIE

BINKNGOLLIEEarly Chapter Book Fiction

Age Range:
6-9 years

Grade Level: 1-4

Published by Candlewick Press

Text Copyright © 2010 by Kate DiCamillo  and Alison McGhee

Illustrations © 2010 by Tony Fucile

 

 

AWARDS

2011 Theodor Seuss Geisel Award
Starred review in Publisher’s Weekly
Starred review in Kirkus Review

WHY BINK & GOLLIE IS A KEM GEM

KKRISTI’S TAKE
Kate, Alison & Tony have struck gold!  And like gold, it’s all about the chemistry between Bink & Gollie.  There’s nothing more LOL than an ODD couple, especially when they journey into the essentials of every friendship: compromise, support and adventure.

I admire the way Tony has taken the unspoken, yet opaquely obvious dissimilarities between Bink & Gollie to an extreme by taking the time to illustrate even the finest details of a well placed hair bow or an untied shoe.  The size, tidiness and gestures are in constant contradiction.  Even the incidental characters leap from the page, both from the eager dialogue Kate and Alison have written as well as from the distant gaze, mouthfuls of popcorn or curled fins that are sketched.  This early reader fiction will delight readers of all ages, at all times.  And for this, I am certain, as even my nine and 11 year old admitted to their fondness of BINK & GOLLIE, and believe me, it’s not cool to admit you love a book your capabilities have exceeded, unless, it’s truly a GEM!

Favorite line
“It’s a compromise bonanza.”

KEM Sapphire

EELISE’S TAKE
While not catalogued in my library’s picture book section, the three stories in BINK & GOLLIE are picture books in the truest sense. Picture books celebrate a perfect marriage of image and text. Tony Fucile’s faux pen-and-ink illustrations don’t just give us these two loveable characters and their homes. They also carry us through scene changes (both real and imaginary), and all three times they complete the story with a wordless image.

While Fucile sets a high standard, McGhee and DiCamillo show they can keep up with the text’s witty back-and-forth dialogue. They rightfully leave all of the narration to Fucile’s linework and allow the girls’ personalities to shine through hilarious conversations.

Favorite lines
“Hello Gollie,” said Bink.”Do I smell pancakes?”

“You do not,” said Gollie.

“Will I smell pancakes?” said Bink.

KEM Diamond


MGrayMARRAS’ TAKE
Sweet synergy! The magic in this book came in threes:  three phenomenal friends created three subtly silly chapters for three times the fun.

BINK & GOLLIE delivers distinctive characters that reach out and grab hearts through intentionally sparse, yet plump and lively text. Fucile’s illustrations capture DiCamillo and McGhee’s real-life essence and charm–compatible and interesting, because they are different. They ARE BINK & GOLLIE in Fucile’s BINK & GOLLIE world. Fucile comes to life in the observant, scene-watching fish, Fred. We, the readers, can enter the pages through Fred, too, for a sweet, unpredictable ride.

DiCamillo and McGhee prove how the savviest writers leave ample room for the illustrator. Through trust, they were able to give BINK & GOLLIE more of themselves than they ever could have imagined.

Favorite lines
“Fish know nothing of longing,” said Gollie.
“Some fish do,” said Bink. “Some fish long.”

GEMrub

Award-winning Disney and Pixar illustrator Tony Fucile helped bring LION KING, RATATOUILLE, and THE INCREDIBLES to life. Both DiCamillo and McGhee are New York Times best-selling authors; and McGhee, a Pulitzer Prize nominee. 

2010 Minneapolis Star Tribune article featuring Bink & Gollie

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MICK HARTE WAS HERE

MICKHARTEWASHEREMiddle Grade Fiction

Age Range: 8-12 years

Grade Level: 3-7

Published by Yearling, an imprint of Random House Children’s Books

Copyright © 1995 by Barbara Park

Cover photo © 2006 by Michael Price/Veer

 

 


WHY MICK HARTE WAS HERE IS A KEM GEM

KKRISTI’S TAKE
MICK HARTE is an example of Barbara Park’s great wisdom; she takes an awful outcome and creates a beautiful story about a fully dimensional 12 year-old boy.  It is difficult to start a novel with the death of a boy, a sibling, a friend….unless, he’s a prankster. Mick’s trouble-making ways get you laughing from the start.  His strong-will and propensity to tease kept me laughing, even though I was grieving right along with his polar-opposite sister, Phoebe.  It is not until Phoebe shares her frustration about losing something that will never be returned, that I truly felt the weight of Mick’s death, right in the gut.  But Barbara saved me, with utter wisdom, by suggesting that Phoebe, “Put him everywhere, why don’t you?”, just like God’s presence.

Barbara Park has aptly woven a story of past and present, through recollections of a boy’s relationship with his cowboy dog, Wocket; a mail carrier; a florist deliverer and a school assembly.  MICK HARTE WAS HERE will stick with me, like printed letters in cement.

KEM Sapphire
EELISE’S TAKE

One of my favorite aspects of Barbara Park’s writing is her ability to observe, and then word those observations in such a way that each reader can relate. Even in harsh, unfamiliar territory, such as the painful, sudden loss of a young loved one, we have a companion in Park’s characters.

Having lost a dear friend at age 15, I experienced first-hand Phoebe Harte’s emotions and questions. Zoe Santos was also a reminder of the priceless sympathy of a best friend.

Phoebe’s story is not only helpful for young readers needing assurance that they’re not alone in their grief. Its insights are poignantly enlightening for those who have thus far remained unscathed by the death of a peer.

Favorite lines
Zo picked up on the first ring. “H’lo?”

I didn’t say anything. She knew it was me, though. Me and Zoe sort of have a psychic thing going, sometimes.

“Phoebe?”

I nodded.

“You okay?” she asked.

I took a shaky breath. “No.”

She came right over.

KEM Diamond


MGrayMARRAS’ TAKE
When discussing favorite children’s books, my Black Sheep memoir friend, Davis, a drug addiction counselor, said his was the fictional middle grade novel, MICK HARTE WAS HERE. Imagine my surprise when I discovered that the 1995 treasure was written by the author of the beloved JUNIE B. JONES series, recently deceased Barbara Park.

Park wrote this conversational story with such heart and humor, I’d swear narrator Phoebe Harte really was Park’s 13-year-old self. As a storyteller, Park knew and loved her audience. She tackled the complex subject of death candidly, yet compassionately, without being overdramatic or condescendingly romantic about the deceased person’s life. We felt Phoebe’s pain and we marveled in her hope. MICK HARTE WAS HERE is the perfect writer’s resource  on how to be real. I can see why it was Davis’ favorite.

Favorite lines
But I can still remember the exact conversation I had with Santa Claus when I was in kindergarten.

He said, “Ho ho ho.”

I said, “Your breath smells.”

And he said, “Get down.”

GEMrub

EXCERPT FROM MICK HARTE WAS HERE

I don’t want to make you cry.
I just want to tell you about a story about Mick.
But I thought you should know right up front that he’s not here anymore.
I just thought that would be fair.

This recommendation is our tribute to Barbara Park who died of cancer November 15, 2013.

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