I LOVE YOU, STINKY FACE

May is a month for mothers.
What children’s book makes you think of your mom?

Welcome to KidLit Gems!

Join us in a coffee-style chat about favorite children’s books and the elements that make them shine.

This month’s theme: KidLit Gems for Mom

NameplateLousGemII LOVE YOU, STINKY FACE
Text © 1997, Lisa McCourt
Illustrations © 1997, Cyd Moore

I LOVE YOU STINKY FACEILOVEYOUSTINKYFACE1Picture Book, Fiction

Age Range: 3-7 years

Grade Level:
Preschool-
2nd Grade

SCHOLASTIC,
CARTWHEEL BOOKS
A division of Scholastic Inc.

1998 National Parenting Publications Awards Honor Book

“But Mama, but Mama, what if I were a Cyclops, and I had just one big, gigantic eye in the middle of my head?” ~ I Love You, Stinkyface

Here’s one of my own family’s favorites! Imagine all the sweetness of the classic picture book Mama, Do You Love Me? but with dinosaur claws, slimy seaweed, and bug sandwiches tossed in. In I Love You, StinkyFace, author Lisa McCourt creates a bedtime exchange between a mother and son with just enough silliness to keep the ‘mush factor’ in check. The mother’s funny, reassuring responses validate each reader’s uniqueness. No wonder Scholastic snapped this up!

~ Lou
___________________________________________________________________

“Then I would look right into your one eye and say, “I love you,” and I would sing to you until your one droopy eyelid finally closed and you fell fast asleep.” ~ I Love You, Stinkyface

How do you write a picture book that allows mothers to express their unconditional love for their children in a non-gooey, non-sappy, non-gushy way (even when we are gooey, sappy, and gushy)?  Author Lisa McCourt knows. You insert the magic word:  “stinky.” Add “dinosaurs,” “monsters,” and “aliens,” and gooey, sappy, gushy mothers can get away with saying the “l” word eleven times in a row–thirteen if you read the front and back covers. Love, love, love!

Cyd Moore’s thoughtful and playful illustrations, particularly the child’s embrace of the mother’s face and the one-eyed monster in pajamas, lift the story to a whole new level of wonderful. Children will love looking for the monkey, bunny, toucan, and tin man.

~ Anna
____________________________________________________________________

“But, Mama, but Mama, what if I were a Green Alien from Mars, and I ate bugs instead of peanut butter? ~ I Love You, Stinky Face

I can’t think of a better board book tribute for mother’s day. Lisa McCourt’s I Love You Stinky Face is the epitome of a mother’s unconditional love. “Mama” is certain she can manage any creature her child morphs into and nothing can change that, not even a: skunk, slimy swamp monster or alien. Cyd Moore chose muted tones and playful, yet ominous creatures for the illustrations that strike the perfect balance of scary, yet quiet for a bedtime story. And, like life, there are scary creatures out there that just need a little maternal love to tame them. If only all the world had “Mama’s” wisdom.

~ Kristi


ILOVEYOUSTINKYFACE2Note:

These photos are from the abridged board book.

ILOVEYOUSTINKYFACE3ILOVEYOUSTINKYFACE4KEM Diamond

Watch for my pick next!

We want to hear from you!
What children’s book makes you think of your mom?
Extra question for moms: What children’s book makes you feel motherly?

My BATTLE BUNNY Regret

MacBarnettFan

A few Mac Barnett favorites that aren’t pictured here: SAM AND DAVE DIG A BIG HOLE, MUSTACHE, OH NO!, OH NO! NOT AGAIN!, GUESS AGAIN, and EXTRA YARN

If you get the opportunity to meet Mac Barnett, read Battle Bunny first.  Take it from me. I blew it. When Barnett visited  the Red Balloon bookstore in my neighborhood I hadn’t read it yet. MacBarnett Sept2014MacBarnettSept2014KEM friend, Elise, even pulled the  book out of a Barnes and Noble book shelf and told me I’d like it. But  I figured I’d look at it later.

Now I’m thinking the only thing I would have liked better is an autographed copy of Battle Bunny and a chance to gush about it. Dang it.

BATTLEBUNNYBOOKThe strange-looking treasure is two books in one.

 

 

It began as Birthday Bunny, written by Jon Scieszka and Mac Barnett in the style of a syrupy, grandma-friendly Golden Book.

Then it was given to  protagonist Alex (Scieszka and Barnett’s alter ego) by who else, but his doting Gran Gran. “Alex”  transforms it into a disturbingly entertaining, testosterone-ridden, hare-raising tale of doom and destruction.  (Alex’s artistic side comes compliments of Matthew Myers).

ToAlexanderLook closely.
The raw beauty of this book lurks in the details.  For instance, check out Gran Gran’s sentiments.

 

This note looks so real, I first assumed the library had a used book on their shelves. I can picture Alex gagging, choking, then gritting his teeth in response to his grandma’s  saccharine birthday endearments.

I’d type excerpts, but half the brilliance comes from “Alex’s” illustrations.AlexCredits

PluckedChicken

AlexToTheRescueAlexToTheRescueII

BackCoverBattleBunnyOur son wrote and drew BATTLE  stories in grade school. We know this because of the calls to the principal’s office.
CRACKLINOATBRANDThe principal would run his hand over his face and  suggest Ritalin. We’d try to look concerned, then save the confiscated manuscripts in scrapbooks.

Luckily, Josh had a revolutionary teacher with revolutionary ideas about letting kids be kids.

THE BEST STORY OF HANSEL AND GRETTEL Personally, I think the wrong family member creates children’s books.

 THE BEST STORY OF HANSEL AND GRETTEL

Text and spelling copyright 1991, Joshua Honeyman,
5th grade

T’was a time when sheep smoked cigars and elephants had cars and there lived a gangster group called the devils. In that group was two of the baddest, the leader Hansel and his evil side kick Grettel. Hansel and Grettel went into the woods in their nuclear tank while they redecorated it with spray paint. When they were nearly done they saw a house full of candy. They spray painted it with black, green, and purple paint. Then they knocked it down with a silver battle axe. hen I glanced at brats wrecking her  house, I got out my ninja stuff. Sharp like a knife I knocked the axes out of there hands. Suddenly Hansel kicked me into the microwave. I kicked the door down.

“You SKUM!” I yelled “NO ONE MESSES WITH ME!”

“Except us,” chuckled Gretel.

“HI-YA!” I yelled while kicking Gretel to the ground. Hansel took a missile lancher from the tank so I threw a sword it nocked it away from him.

“DIE DANDREFF DOG!” I yelled kicking them both to the TV set. I chained them to the couch and switched the channel to PBS.

“NO!” yelled Hansel and Gretel. Mr. Rogers was on. “AAAAAAAAAAHHH!!!!!”

(Incidentally, this valiant superhero is now an Army Captain.)

BattleDuckiesWhile reading Battle Bunny to children, one must read it first as originally written, then reread it Alex’s way. Our grandkids’ faces light up as they notice each detail and witness the unleashing of an imagination (Technically, three imaginations: Scieszka, Barnett, and Myer’s).

During a recent overnight stay, our youngest granddaughter forced me (Okay, she said, “Please.”)  BattleDuckiesIIto read Battle Bunny to her twice–which, technically, means four times. The next morning she asked if she could play with the bath toys. I thought her request was unusual, because A.) she wasn’t taking a bath, and B.) we have way cooler toys than bath toys. Later, as I cooked breakfast, I overheard her, deeply immersed in her play world. “Take that! Evil Battle Bunny! You’re no match for my Superhero Duckies!”

When I looked under the coffee table, her request made perfect sense. A rebel  squeeze toy rabbit peered through his transparent plastic cup prison at an intimidating fleet of rubber ducky wardens.

I never thought I’d say this, but I’m so proud of my bunny-trapping granddaughter. (Sheer genius, like her Gretel-kicking uncle.)

Gran Grans, Nanas, Grandmas–whatever you call yourself–UNITE! We owe it to our grandkids to supply each one of them with a copy of Battle Bunny (for inspiration), a box of markers,  and a mushy Golden Book with a title page note from us urging them to go wild and re-create.

I do hope their parents (and their school principals) will forgive us.BATTLEBUNNYMEETSBATTLEDUCKIES

BUSYTOWN THE MUSICAL

BUSYTOWNIIAny children’s book writer or illustrator would think they’d gone to Heaven if their work was brought to life in a musical. That’s why Richard Scarry is probably smiling right now. His awesome picture books have  achieved that prestigious honor with Busytown The Musicaladapted by playwright Kevin Kling and composer Michael Koerner.

Yesterday, my daughter, three granddaughters, and I attended this lively, pickle-car, chug-a-wug-a-choo-choo show at the Children’s Theater in Minneapolis.  I’ll be honest. I enjoyed it as much as anyone. My cheeks still hurt from ginning.
BUSYTOWNSET
The caliber of acting, singing, and performing far exceeded my expectations. The show was almost over before I realized only six actors played the bazillion busy parts. The most phenomenal multitasker, however, was the one-woman organist/flutist/kazooist/percussionist/every-instrumentalist who played the musical accompaniment. (Sorry, I don’t know her name.)

Reed Sigmund, the  actor who played Huckle the Cat (and a back-up singing nurse and various other characters) had the  voice and endearing presence of Chris Farley. I kept hoping he would break into lame ninja moves or warn the kids about living in a van down by the river.

Meghan Kreidler played a brassy mail carrier so well, she reminded me of Rosie O’Donnell in A League of Her Own. And she had no problem seamlessly transitioning into a lovesick nurse, Grocer Cat, a train car, or a busy commuter.

Dean Holt had the perfect voice and feathered hat-wearing head for heart-throb Lowly Worm.

I’d mention all the cast members and behind-the-scenes stars, but you need to  experience the colorful set, funny costumes, energetic choreography and happy audience yourself. Busytown the Musical is playing until October 26, so get your tickets now.

CHILDRENSTHEATERCheck out other Children’s Theater Company productions. We’re bringing in the holiday spirit with The Grinch Stole Christmas. (I can’t wait to meet Cindy Lou Who. Can you?)

And, remember, there’s no better way to get your children’s book creations in shape for future musicals than the 2014 MN Society of Children’s Book Writers & Illustrators Annual Conference. It’s not too late to register!

GRANDPA GREEN

MacMillan Children’s Publishing Group calls Grandpa Green “the book grownups read to those still growing.”

GRANDPAGREENIIPicture Book Fiction
Age Range: 5-9 years
Grade Level: Kindergarten-4th
Published by Roaring Book Press,
Holtzbrinck Publishing Holdings
Ltd Partnership

Text and Illustrations
Copyright © 2011 by Lane Smith

 

Peek inside.

Peek inside.

AWARDS

A Caldecott Honor Book
A New York Times Best Illustrated Book
A Publishers Weekly Best Children’s Book
Silver Medal Society of Illustrators
An Amazon Best Book
Kansas City Star Top 100 Books
A Barnes & Noble Best Book
A School Library Journal Best Book
Seven Impossible Things Top Ten
A Time Out New York Kids Best Book
Junior Library Guild Selection
Starred Review by Publishers Weekly
Starred Review by School Library Journal

WHY GRANDPA GREEN IS A KEM GEM

KKRISTI’S TAKE
GRANDPA GREEN ornamentally grows our imagination, and creates a place like paradise. This quiet story dedicated to a grandparent derives its energy from the wonderfully clever illustrations. What makes GRANDPA GREEN standout from other sentimental picture books that chronicle a life are the clever, conflicted, laugh-and-cry moments; especially the ending. GRANDPA GREEN reminds both the young and the old that there’s a resolution to every problem, even the ones that seem the most unfortunate.

Lane has created a masterpiece with humor and heART.

Favorite line
“But the important stuff, the garden remembers for him.”

KEM Sapphire
EELISE’S TAKE
Using an art form within an art form, Smith has done it again. His illustrations of topiary designs are brimming with texture, humor, and profound depth as they explore pieces of a fictional gardener’s biography. While some shapes are immediately apparent, I found I could not rush through this book. Each spread demands that the reader pause, or else risk missing a visual surprise. A dramatic four-page gatefold at the ends elaborately reviews the entire story of the gardener’s well-lived life.

Smith’s quiet story explores a wide range of universal emotions, and undoubtedly sparks imagination and discussion across generations of readers.

KEM Diamond


MGrayMARRAS’ TAKE
Wowee! Wow! Wow! I want what Lane Smith eats for breakfast. Who else would have thought to narrate a story about a long and fulfilling life through a great-grandson’s guided topiary tour? Smith’s enigmatic illustrations and elegant silence drew me to one conclusion. Each page turn dazzled me with a new truth.

GRANDPA GREEN covers the three “r’s” of relationship, reverence, and remembering. The Ancient Greek symbol of regeneration and rebirth, GREEN, provides the perfect color scheme for a book about the generational gift of life–and the ultimate last name for Great Grandpa. This timeless and gentle book will bless generations to our great-grandchildren and beyond.

Favorite line (Kristi and I didn’t compare notes. Honest.)
“But the important stuff, the garden remembers for him.”

GEMrub

What do you like most about GRANDPA GREEN?

BINK & GOLLIE

BINKNGOLLIEEarly Chapter Book Fiction

Age Range:
6-9 years

Grade Level: 1-4

Published by Candlewick Press

Text Copyright © 2010 by Kate DiCamillo  and Alison McGhee

Illustrations © 2010 by Tony Fucile

 

 

AWARDS

2011 Theodor Seuss Geisel Award
Starred review in Publisher’s Weekly
Starred review in Kirkus Review

WHY BINK & GOLLIE IS A KEM GEM

KKRISTI’S TAKE
Kate, Alison & Tony have struck gold!  And like gold, it’s all about the chemistry between Bink & Gollie.  There’s nothing more LOL than an ODD couple, especially when they journey into the essentials of every friendship: compromise, support and adventure.

I admire the way Tony has taken the unspoken, yet opaquely obvious dissimilarities between Bink & Gollie to an extreme by taking the time to illustrate even the finest details of a well placed hair bow or an untied shoe.  The size, tidiness and gestures are in constant contradiction.  Even the incidental characters leap from the page, both from the eager dialogue Kate and Alison have written as well as from the distant gaze, mouthfuls of popcorn or curled fins that are sketched.  This early reader fiction will delight readers of all ages, at all times.  And for this, I am certain, as even my nine and 11 year old admitted to their fondness of BINK & GOLLIE, and believe me, it’s not cool to admit you love a book your capabilities have exceeded, unless, it’s truly a GEM!

Favorite line
“It’s a compromise bonanza.”

KEM Sapphire

EELISE’S TAKE
While not catalogued in my library’s picture book section, the three stories in BINK & GOLLIE are picture books in the truest sense. Picture books celebrate a perfect marriage of image and text. Tony Fucile’s faux pen-and-ink illustrations don’t just give us these two loveable characters and their homes. They also carry us through scene changes (both real and imaginary), and all three times they complete the story with a wordless image.

While Fucile sets a high standard, McGhee and DiCamillo show they can keep up with the text’s witty back-and-forth dialogue. They rightfully leave all of the narration to Fucile’s linework and allow the girls’ personalities to shine through hilarious conversations.

Favorite lines
“Hello Gollie,” said Bink.”Do I smell pancakes?”

“You do not,” said Gollie.

“Will I smell pancakes?” said Bink.

KEM Diamond


MGrayMARRAS’ TAKE
Sweet synergy! The magic in this book came in threes:  three phenomenal friends created three subtly silly chapters for three times the fun.

BINK & GOLLIE delivers distinctive characters that reach out and grab hearts through intentionally sparse, yet plump and lively text. Fucile’s illustrations capture DiCamillo and McGhee’s real-life essence and charm–compatible and interesting, because they are different. They ARE BINK & GOLLIE in Fucile’s BINK & GOLLIE world. Fucile comes to life in the observant, scene-watching fish, Fred. We, the readers, can enter the pages through Fred, too, for a sweet, unpredictable ride.

DiCamillo and McGhee prove how the savviest writers leave ample room for the illustrator. Through trust, they were able to give BINK & GOLLIE more of themselves than they ever could have imagined.

Favorite lines
“Fish know nothing of longing,” said Gollie.
“Some fish do,” said Bink. “Some fish long.”

GEMrub

Award-winning Disney and Pixar illustrator Tony Fucile helped bring LION KING, RATATOUILLE, and THE INCREDIBLES to life. Both DiCamillo and McGhee are New York Times best-selling authors; and McGhee, a Pulitzer Prize nominee. 

2010 Minneapolis Star Tribune article featuring Bink & Gollie

Please share your BINK & GOLLIE comments, too!

CLEMENTINE

CLEMENTINECover

Middle Grade
Fiction

Age Range:
7-10 years

Grade Level:
2 – 5

Published by
Disney-Hyperion Books

Text © 2006
by Sara Pennypacker

Illustrated © 2006
by Marla Frazee

 

 

AWARDS

A New York Times Bestseller
2008 Rhode Island Children’s Book Award (Grades 3-6)
2008 William Allen White Children’s Book Award – KS (Grades 3-5)
2007 Boston Globe/Horn Book Honor Winner
2008 Great Lakes Great Books Award Winner
Winner of the 2007 Josette Frank Book Award (Bank Street College Book Committee)
Winner of the 2007 Sid Fleishman Award (SCBWI.org)
A School Library Journal Best Book of 2006
A 2006 Child Magazine Best Book of the Year
New York Public Library 100 Titles for Reading and Sharing
A 2006 Publishers Weekly Best Book of the Year
A 2006 National Parenting Publication Gold Award Winner
A Book Sense Winter 2006-2007 Children’s Top Ten Pick
A 2006 Nick Jr. Family Magazine’s Best Book of the Year
A Miami Herald Best Book of the Year 2006

WHY CLEMENTINE IS A KEM GEM

K KRISTI’S TAKE
Clementine always has “great ideas popping into her head.”  She’s like a balloon, exalted up, and then POP, life deflates and she’s back to square one.  Sara Pennypacker brilliantly invites the reader to share Clementine’s ups and downs, by showing the reader how the precocious Clementine thinks, through detailed action that is followed by the protagonist’s reflection.

If I had to draw a balloon to depict Clementine, it’d be orange. The balloon would have a happy face drawn with “sparkle glitter paint” on one side and a sad face on the opposite side, drawn in permanent Red marker.  Around the entire drawing would be a window for the reader to look through.

I am in awe of Marla Frazee’s ability to capture Clementine’s energy. Her fine-lined sketches convey curiosity with a wrinkle in a shirt, swirl of a lock and lift of a brow. She makes the impossible look easy.KEM Sapphire
EELISE’S TAKE

CLEMENTINE felt like catching up with an old friend. I, too, had an oh-so-perfect neighbor girl, an “easy” younger sibling, an artist mom, and a dad who dealt with pesky animals* and their splat.

Sara Pennypacker’s descriptions give readers a colorful, hilarious view of Clementine’s world, and her daily, eight-year-old antics and frustrations.

Marla Frazee’s pen and ink drawings offer a visual treat on nearly every page. Her clean, graphic line carries Clementine’s energy through the story and, as with all of Frazee’s work, looks like she just whipped it up over breakfast.

This gem, just published in 2008, has the classic charm of a book that has already stood the test of time.

*Ours were cattle, not pigeons.

Favorite line
“Then we just sat there together watching the pigeons flock back to our building for the night. We listened to them cooing above us, sounding like a million old ladies with secrets.”KEM Diamond


MGrayMARRAS’ TAKE
Spectacularful!

Writer friend Melissa quoted Clementine at a recent meet-up: “Someone should tell you not to answer the phone in the principal’s office, if that’s a rule.” Admiration spittle (mine) dribbled on my manuscript.

Sara Pennypacker created a believable, delightful protagonist in a universe where “Go for Wok?” leads to a sibling bonding ritual and magic marker heals hair disasters. Clementine’s thoughtful distractions  amuse and disarm people of all ages–even her best friend’s older brother–a formidable feat for a third grader.

Marla Frazee’s wit and talent complements Sara’s.  Her personality-packed illustrations lift Clementine to a whole new level of cute.

Favorite line
“… I carried the kittens into the bathroom and looked around until I found them beautiful names. Flouride and Laxative went to live with people who answered the Free Kittens, Hurry! ad my dad put in the paper …”GEMrub

BOOK TRAILER (by Briana Bancroft)

Please, share your CLEMENTINE comments, too!

2013 Iowa SCBWI Conference-Part III

MichellePoploff“Write about your histories!”

During her presentation, “The Write Place at the Write Time”, Michelle Poploff urged Iowa SCBWI Conference attendees to put  historical fiction on our to-write lists. She motivated us by sharing the process toward publication of successful  Delacorte Press’ historical fiction novels; among them, Moon Over Manifest by Clare Vanderpool, Paper Covers Rock by Jenny Hubbard, Running Out of Night by Sharon Lovejoy (to be published in 2014).

Finding Your Voice

IA SCBWI 2013

Later Poploff emceed the “Finding Your Voice” portion where attendees whose names were drawn read the first 500 words of their manuscript and provide on-line elevator pitch synopses. This was my favorite part of the conference because it gave writers the opportunity to shine. They shared their words with the rhythm and inflections they envisioned. Most of them had wrung these words out of their minds onto paper through blood, sweat, and tears. Now they were able to share their bounty with other sweaty, bloody, teary-eyed writers. The exercise enabled writers to be heard. That’s what all writers want.

 Publication Teamwork

Jan Blazanin and Allison Remcheck

Jan Blazanin and Allison Remcheck

JanBlazaninAllisonRemcheck


Christine Kettner, Art Director, Houghton Mifflin Harcourt, and Illustrator Jennifer Black Reinhardt, walked us through the journey of making  middle grade novel The Adventures of A Southpole Pig. On the other end of the spectrum, Allison Remcheck, Assistant to Rosemary Stimola, and Jan Blazanin, Iowa author and Young Adult Mentor, gave us an inside look at Blazanin’s successful query letter to the Stimola Literary Studio, how she snagged the agency to represent her, and how Stimola, Remcheck, and Blazanin became an effective team.

I’m the poster child for the artistically-challenged, but both road-to-publication re-enactments were equally fascinating. Unless you know a published author, illustrator, agent, or editor personally, you can’t get this inside information without attending a conference. I’ll share some choice tidbits:

  • Directors, agents, and editors’ inboxes are swamped, so make your email query subject line stand out.
  • Don’t put all of your eggs in one manuscript. Your first manuscript may not be the manuscript that gets published.
  • Read as many books as possible in your intended genre.
  • Never pay someone to read your work for representation.
  • Self-publishing may sabotage your chances of being published later.

The Story Only You Can Tell

Joanna Cardenas, Assistant Editor, Viking, Penguin Group, USA, presented “Mastering the Deceptively Simple Art of the Picture Book” and “Author as Self-Promoter”. In picture books, she looks for humor, clever dialog, a memorable plot, and a distinct point of view. She wants to read the story that only you can tell. She quoted Leonard Marcus: “Picture books are stories told in two languages–text and art.”

A sampling of Cardenas’ self-promoting tips:

  • Publishers rarely can afford to offer book tours anymore, so you will need to do a lot of footwork yourself.
  • A website is key, but starting social media and not keeping up can hurt you. (Now she tells me.)
  • Teachers can help others discover your book.
  • Pool your efforts with other authors.
  • Offer workshops for kids that pertain to your work.

I hope you’ve enjoyed this post-view of the 2013 IA SCBWI Conference. Maybe I’ll meet you there in person next year. (Remind me to take more pictures in 2014.)

2013 Iowa SCBWI Conference Photos

I Knew Them When …

Children’s book writers all over the world have been polishing their manuscripts in anticipation of this season: Society of Children’s Book Writers & Illustrators (SCBWI) regional conference time. These events provide the inspiration and hope that keep us plugging along, one-word-at-a-time for the remainder of the year. I love conference season, because all who plunge in with an eagerness to learn are stepping closer to publication. I’m on the edge of my seat for those who are ripe to be discovered.

Here are a few of those writers:

Louise Aamodt was awarded runner-up in the 2011 Cheerios Spoonfuls of Stories Contest with her picture book manuscript Frankie the Flop. The 2011 web page is no longer available, but below are a couple of screenshots.

CheeriosContestWinners2011

LouiseAamodt

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Louise, an empathetic teacher, mother, and animal rights activist, has a gift for pulling her readers’ heartstrings and pressing their funny bones. Her smart and diverse picture books–some humorous and some dramatic–promote thoughtfulness and understanding. Whether they are underappreciated vultures or underdogs with or without tails–they’ve found refuge in Louise’s imaginative manuscripts.

Elise Parsley, picture book writer and illustrator, recently conducted a successful, hands-on dummy book workshop that drew 24 attendees from all over Minnesota.

HylenDummyTalk2013DummyWorkshopElise gained her dummy book creation expertise by writing and illustrating four of her own fabulous masterpieces. I laugh just thinking about Elise’s funny and charming characters. In fact, I feel like I know them–like I’m their aunt or something (well, except for the cows, although I’m awfully smitten with them). I think you’ll feel the same way.

Other MN writers I’d like to endorse are Randy Holland and Alicia Schwab.

Randy Holland’s middle grade mystery novel manuscript first pages blew me away when I attended my first MN SCBWI critique meet-up. I aspired then to try to write as clear and tight as Randy. He’s stocked his manuscript full of intrigue.  And, he’s already busy writing the sequel, because the ideas just keep coming.

Alicia Schwab is another lucky writer who can illustrate, too. She’s got a delightful  picture book ready for bedtime snuggling. If you click on her link, you can see she’s already a published illustrator, but this will be her debut as a writer and illustrator.

Yes. I’m an unapologetic name dropper. And, I hope I’m as right about writing talent as Frankie MacDonald is about South Dakota weather. (Deadwood got 48 inches of snow, BTW.)

I wish my friends (and all conference attendees) success. And I want them and everyone to know how grateful I am that I knew them when …

Dummy Workshop for Smarties

EliseHyldenAre you a picture book author or author/illustrator who would like to wow an agent or editor by improving the rhythm, pacing, and editing of your manuscript?

You’re in luck! Minnesota illustrator, Elise Parsley, is presenting a workshop just for you:
Picture Book, Dummy Book, How to Hook (an agent)!

A dummy will help you flesh out your characters and pace your story. I created this dummy for my own use with the help of iclipart. Incidentally, you might learn, as I did, that your material is better suited for an older audience.

Whether you are an illustrator or artistically challenged, like me, this workshop will be beneficial for you. Elise will  show  you the characteristics and usefulness of a picture book dummy and the basics of a PB query letter. The  experience may also help you discern whether your material is truly suitable for and marketable in the picture book genre.

Bring a copy of your picture book manuscript, pen, scissors, and be prepared to make some edits!

About Elise: She studied drawing and creative writing at Minnesota State University in Moorhead, MN. She has been actively researching and creating picture books and dummies since graduating in 2011. Five pieces of Elise’s spot art were featured in the March/April 2013 issue of the SCBWI Bulletin. She will share invaluable feedback she’s received from editors and agents on her way to publication.

SCBWIBULLETINPg26-27Picture Book, Dummy Book, How to Hook (an agent)!  is a MN SCBWI-sponsored event.
Elise looks forward to seeing you Saturday, September 21, 1 – 5 p.m. at the Maplewood Ramsey County Library, Community Meeting Room, 3025 Southlawn Drive, Maplewood, MN, 55109.

SCBWI Members: $25, Non-members $35.

I Know Her

Before my friend Elise becomes any more famous, I have one thing to say:  I know her.

The artwork of Elise Hylden, the illustrious writer/illustrator of our KEM GEM critique group,  was featured in the March/April 2013 SCBWI BULLETIN, the official publication of the Society of Chiildren’s Book Writers & Illustrators.  What better endorsement?

Anyway, take a gander at pages 26-29.  The illustrations are Elise’s.  I think you’ll agree — Elise has a bright future on the horizon.  Her imaginative creations already delight us.  We can’t wait until everyone can enjoy them.

Congratulations, Elise!  We’re so proud of you.  In the inspirational words of Buzz Lightyear: TO INFINITY AND BEYOND!