GASTON

May is our month to recognize mothers.
What children’s book mothers go above and beyond?

Welcome to KidLit Gems!

Join us in a coffee-style chat about favorite children’s books and the elements that make them shine.

This month’s theme: KidLit Gems for Mom

NameplateAnnasGemIGASTON
Text © 2014, Kelly DiPucchio
Illustrations © 2014, Christian Robinson

GASTONCover450Picture
Book

Fiction

Age Range:
4-8 years

Grade Level:
Preschool-Third

Antheneum Books
for
Young Readers

An imprint of Simon & Schuster Children’s Publishing Division

Awards

Kirkus, Starred Review
Horn Book Magazine, Starred Review
Shelf Awareness, Starred Review
Publisher’s Weekly, Best Summer Books 2014

Mrs. Poodle admired her new puppies, Fi-Fi, Foo-Foo, Ooh-La-La, and Gaston. ~ Gaston

Gaston is a story about a delivery room mix-up that goes right. What’s not to love? It has humor. Fi-Fi? Foo-Foo? Ooh-La-La? I bet Kelly DiPucchio’s critique group spit cappuccino out of their noses when they first read these names out loud.

It has smarts. Alliterations please the ears: “There was much to see. Daffodils. Ducklings. Dogs.” Attention-getting cues engage: “Would you like to see them again?”

It has heart. Despite parenting alone and discovering a post-delivery mix-up, the canine supermoms, Mrs. Poodle and Mrs. Bulldog, raise well-adjusted,  thriving offspring. This is the perfect book for those who question their place in the world. While researching Gaston, I was surprised by nature vs. nurture debates.  My take: While every family situation is different, one element remains the same. Belonging isn’t about similarities. It’s about love.

Christian Robinson’s retro illustrations, including the Poodle and Bulldog family pictures; make me miss my sentimental supermom; and my fairly normal, but unique gold, orange, and green childhood.

~ Anna
___________________________________________________________________

From that day forward the families met in the park every afternoon to play. Rocky, Ricky, Bruno, and Antoinette taught the poodle puppies a thing or two about being tough.

Likewise, Fi-Fi, Foo-Foo, Ooh-La-La, and Gaston taught the bulldog puppies a thing or two about being tender. ~ Gaston

Gaston reminds me of Romeo & Juliet, two families from opposite sides of the tracks, circling their territory. This age appropriate picture book’s delightful alliteration, rhymes and Matisse-esque illustrations contribute to the age-old adage, “opposites attract”.  Children will delight as the “brutish or brawny” and the “proper or precious” unite. Three cheers for the mothers in this story that wisely, stand-by as Gaston and Antoinette explore their true identities. And unlike Romeo & Juliet, where the families are meddling, there is a happy ending to this love story.

~ Kristi


GASTON1GASTON2GASTON3GASTON4

GEM Ruby

Watch for Kristi’s pick next!

We want to hear from you!
What children’s book moms excel in the motherhood department?

GRANDPA GREEN

MacMillan Children’s Publishing Group calls Grandpa Green “the book grownups read to those still growing.”

GRANDPAGREENIIPicture Book Fiction
Age Range: 5-9 years
Grade Level: Kindergarten-4th
Published by Roaring Book Press,
Holtzbrinck Publishing Holdings
Ltd Partnership

Text and Illustrations
Copyright © 2011 by Lane Smith

 

Peek inside.

Peek inside.

AWARDS

A Caldecott Honor Book
A New York Times Best Illustrated Book
A Publishers Weekly Best Children’s Book
Silver Medal Society of Illustrators
An Amazon Best Book
Kansas City Star Top 100 Books
A Barnes & Noble Best Book
A School Library Journal Best Book
Seven Impossible Things Top Ten
A Time Out New York Kids Best Book
Junior Library Guild Selection
Starred Review by Publishers Weekly
Starred Review by School Library Journal

WHY GRANDPA GREEN IS A KEM GEM

KKRISTI’S TAKE
GRANDPA GREEN ornamentally grows our imagination, and creates a place like paradise. This quiet story dedicated to a grandparent derives its energy from the wonderfully clever illustrations. What makes GRANDPA GREEN standout from other sentimental picture books that chronicle a life are the clever, conflicted, laugh-and-cry moments; especially the ending. GRANDPA GREEN reminds both the young and the old that there’s a resolution to every problem, even the ones that seem the most unfortunate.

Lane has created a masterpiece with humor and heART.

Favorite line
“But the important stuff, the garden remembers for him.”

KEM Sapphire
EELISE’S TAKE
Using an art form within an art form, Smith has done it again. His illustrations of topiary designs are brimming with texture, humor, and profound depth as they explore pieces of a fictional gardener’s biography. While some shapes are immediately apparent, I found I could not rush through this book. Each spread demands that the reader pause, or else risk missing a visual surprise. A dramatic four-page gatefold at the ends elaborately reviews the entire story of the gardener’s well-lived life.

Smith’s quiet story explores a wide range of universal emotions, and undoubtedly sparks imagination and discussion across generations of readers.

KEM Diamond


MGrayMARRAS’ TAKE
Wowee! Wow! Wow! I want what Lane Smith eats for breakfast. Who else would have thought to narrate a story about a long and fulfilling life through a great-grandson’s guided topiary tour? Smith’s enigmatic illustrations and elegant silence drew me to one conclusion. Each page turn dazzled me with a new truth.

GRANDPA GREEN covers the three “r’s” of relationship, reverence, and remembering. The Ancient Greek symbol of regeneration and rebirth, GREEN, provides the perfect color scheme for a book about the generational gift of life–and the ultimate last name for Great Grandpa. This timeless and gentle book will bless generations to our great-grandchildren and beyond.

Favorite line (Kristi and I didn’t compare notes. Honest.)
“But the important stuff, the garden remembers for him.”

GEMrub

What do you like most about GRANDPA GREEN?

I Know Her

Before my friend Elise becomes any more famous, I have one thing to say:  I know her.

The artwork of Elise Hylden, the illustrious writer/illustrator of our KEM GEM critique group,  was featured in the March/April 2013 SCBWI BULLETIN, the official publication of the Society of Chiildren’s Book Writers & Illustrators.  What better endorsement?

Anyway, take a gander at pages 26-29.  The illustrations are Elise’s.  I think you’ll agree — Elise has a bright future on the horizon.  Her imaginative creations already delight us.  We can’t wait until everyone can enjoy them.

Congratulations, Elise!  We’re so proud of you.  In the inspirational words of Buzz Lightyear: TO INFINITY AND BEYOND!

2012 SCBWI-MN Conference-David Small & Sarah Stewart

Could there be a cuter couple?

The 2012 Minnesota Society of Children’s Book Writers and Illustrators (SCBWI) Conference proved to be an ah-ha event.  The high”lights”, endearing keynote speakers, David Small and Sarah Stewart,  captivated us with their devotion to one another and their genuine interest in the dreams of novices, like me, who looked to them for encouragement.

To launch the conference David bared his soul with a gut-wrenching presentation about his graphic novel,  National Book Award finalist, Stitches. The  bestselling memoir confronts his nightmarish childhood under the care of unstable caretakers unwilling — or perhaps unequipped — to express parental love for him, his brother, or each other. Small called his family a “long conga line of generational dysfunction.”

Why publish such a disturbing piece after a lifetime of success writing and illustrating conventional, light-hearted children’s books?  David’s answer: For his own well-being.  As a middle aged adult he still suffered.  The reoccurring by-product of his youth: Post-traumatic stress disorder and cancer of the thyroid.  To cope, he reflected on his past as his own psychoanalyst and used his art to fill the gaping  hole of neglect in his heart.  He called this process “narrative” or “cartoon medicine”.

See and read Small’s jarring, line-drawn account in his NEW YORK TIMES bestselling novel, STITCHES.

 

 

Favorite David Small 2012 MN SCBWI conference quotes:

  • “Drawing, for me, is like breathing.”
  • “It seemed right, since my life was wordless to make my book as wordless as possible.”
  • “My trash can is a good friend.”
  • “Having a contract is like having a flamethrower on your butt.”
  • “Keep the author and artist as far apart as possible.”
  • “A good book calls up good pictures in everybody’s mind.”

Sarah Stewart wrapped up the eventful day describing the co-creation of The Quiet Place — Sarah, as author, and David, illustrator.  Sarah confessed that she writes to save her life as she knows it — and to keep the demons away.  She recommended that we unplug ourselves and go to that slow, quiet place to meet ourselves.

  • “The writing is a muscle and you have to keep it taut and firm.  Get it very tight — every word a world.”
  • “You know we can change the world one reader — one word at a time.”
  • “I hope you have a partner or a friend who doesn’t think you’re crazy.”
  • “Good criticism is what you already told yourself, but you thought you were going to get away with.”

    Sarah’s beloved Richard Bear

  • “Do you still have something from your childhood? It’s important for you to have something from your youth.”

As a gift to Sarah, David incorporated her beloved childhood companion, Richard Bear, throughout her children’s books.

Hidden in The Quiet Place, you’ll find another loving bonus from David to Sarah: an exquisite fold-out  illustration — an elaborate quiet place for Sarah’s protagonist Isabella —  a colorful contrast from the black and white drawings depicting the starkness of David’s youth.

Can you find Richard Bear?
Sarah Stewart beamed as David opened her book THE QUIET PLACE to reveal his elaborate love note. “David Small gave me a gift of a gatefold,” she said. “Gives me goosebumps, Darling.”

More than one audience member wiped away tears as Sarah expressed her heartfelt thankfulness for having David Small for a spouse.  “I’m still in awe,” Sarah said. “It’s like making magic explode.”

The blessings go both ways.  Sarah seems a seven/seventy-fold gift to David as well — a warm, loving, and sweet recompense for the cold, loveless, bitter life he once lived.

Thanks, David and Sarah, for your candid mentorship and kindness. And, thanks to the MNSCBWI Conference organizers: Quinette Cook, Jessica FreeburgAlicia Schwab, Celia WaldockCatherine Glancy, Kristi Herro and all volunteers for once again producing a positive, memorable  event!

My next post: Wisdom from conference speaker, Agent Linda Pratt of Wernick & Pratt Agency.

A Picture Book Without Pictures

A picture book without pictures is like the Pips without Gladys Knight:

Click the image to see the YouTube video

For the life of me, I can’t remember whose writer/illustrator blog featured this clever insight — but I concur.  I’m so thankful to have Elise Hylden, writer and illustrator, in our writers’ group.  She continually challenges me to say more with less.  At the 2011 MN SCBWI Conference, Illustrator Dan Santat noted the brilliance of children’s book author, Mac Barnett.

During a break, to uncover the secret of brilliant writing, I purchased Barnett and Santat’s collaboration, Oh No!  Was I surprised to find that the number of words in
Oh No! equals the number of times I use the bathroom in a day.  Yet the book was, as Santat promised, brilliant.

The illustrations that poured out of Barnett’s initial idea make the book.  Obviously, Dan Santat is one of the most brilliant illustrators Mac Barnett has ever met. The book is what it is because Barnett trusted.  He had faith in his illustrator to transform his thoughts into an out-of-this-world adventure.

I don’t have his trust — yet.  Sometimes I leave words, intending that they can be cut later, clutching to them as if to a life vest that holds my vision.  Barnett is more secure.

Barnett doesn’t need a critique group, but I wonder how Oh No! would fare under the scrutiny of the status quo.  I can see the margin scribbles on his manuscript:

       This makes absolutely no sense.

       You might need to explain this for blind kids.

       A giant frog seems a highly illogical choice to solve your protagonist’s dilemma.

       You don’t even tell your protagonist’s name for — wait!  You don’t ever tell your
protagonist’s name! Where is your character development?  Will she capture an audience if we don’t even know her name?

(My daydream has more words than the book.)

Just when I’m wrapping my head around Oh No!, Brian Snelznick comes out with
The Invention of Hugo Cabrat and Wonderstruck — thick, honkin’ books of silence.

Interestingly, these books that speak softly and carry big sticks are by men. My husband would be thrilled by this audibly “quiet”, visually “loud” trend — if he knew about it. Are these works possible for us word-abundant females?

Maybe I need more silence to see and hear clearly.