Author Archives: annamarras

BUSYTOWN THE MUSICAL

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BUSYTOWNIIAny children’s book writer or illustrator would think they’d gone to Heaven if their work was brought to life in a musical. That’s why Richard Scarry is probably smiling right now. His awesome picture books have  achieved that prestigious honor with Busytown The Musical, adapted by playwright Kevin Kling and composer Michael Koerner.

Yesterday, my daughter, three granddaughters, and I attended this lively, pickle-car, chug-a-wug-a-choo-choo show at the Children’s Theater in Minneapolis.  I’ll be honest. I enjoyed it as much as anyone. My cheeks still hurt from ginning.
BUSYTOWNSET
The caliber of acting, singing, and performing far exceeded my expectations. The show was almost over before I realized only six actors played the bazillion busy parts. The most phenomenal multitasker, however, was the one-woman organist/flutist/kazooist/percussionist/every-instrumentalist who played the musical accompaniment. (Sorry, I don’t know her name.)

Reed Sigmund, the  actor who played Huckle the Cat (and a back-up singing nurse and various other characters) had the  voice and endearing presence of Chris Farley. I kept hoping he would break into lame ninja moves or warn the kids about living in a van down by the river.

Meghan Kreidler played a brassy mail carrier so well, she reminded me of Rosie O’Donnell in A League of Her Own. And she had no problem seamlessly transitioning into a lovesick nurse, Grocer Cat, a train car, or a busy commuter.

Dean Holt had the perfect voice and feathered hat-wearing head for heart-throb Lowly Worm.

I’d mention all the cast members and behind-the-scenes stars, but you need to  experience the colorful set, funny costumes, energetic choreography and happy audience yourself. Busytown the Musical is playing until October 26, so get your tickets now.

CHILDRENSTHEATERCheck out other Children’s Theater Company productions. We’re bringing in the holiday spirit with The Grinch Stole Christmas. (I can’t wait to meet Cindy Lou Who. Can you?)

And, remember, there’s no better way to get your children’s book creations in shape for future musicals than the 2014 MN Society of Children’s Book Writers & Illustrators Annual Conference. It’s not too late to register!

2014 MN SCBWI Annual Conference

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Writing well involves community. A fabulous opportunity awaits you in just two-and-a-half weeks. The 2014 Minnesota Society of Children’s Book Writers and Illustrators will hold their annual conference.

2014_ConferenceTearOffPosterforWebThe first perk of the conference will be the wisdom you’ll gain; the second, the relationships you’ll develop.

If you haven’t signed up, it’s not too late. We can’t wait to see you there!

https://minnesota.scbwi.org/…/2014-mn-scbwi-conference…/

1 ZANY ZOO

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DegmanOneZanyZooPicture Book Fiction
Age Range: 3-7 years
Grade Level: Preschool-2
Simon & Schuster Books for Young Readers
Text copyright © 2010 Lori Degman
Illustration copyright ©  2010 by Colin Jack

AWARDS

2008 Cherrios New Spoonful of Stories New Author Contest
Mom’s Choice Awards
Nominated for the 2012-2013 South Carolina Children’s Picture Book Award

WHY 1 ZANY ZOO IS A KEM GEM

KKRISTI’S TAKE
1 Zany Zoo by Lori Degman and illustrated by Colin Jack packs a real punch with a rhyming zoo bunch. This classical counting book’s tightly woven narration craftily uses animal antics and alliteration to recall a boy’s early arrival at a zoo. I love that the snappy Seussian text has been paired with equally fanciful hand-drawn ink sketches. The digital cartoon images elevate the hilarity of the romp, after all, it’s not everyday that elephants pack their trunks.  A contemporary classic!

Favorite line 
 “9  fickle leopards are waiting in line to trade in their spots for some fresh new designs!”

KEM Sapphire
EELISE’S TAKE
Degman’s winning manuscript provides a much-needed example of a rhyming story that is in fact a story. Though the events of the morning are somewhat episodic, we do see a rise in action and feel the zookeeper’s growing frustration as he hunts for his stolen keys. The rhyming is not forced or generic, and the chaotic characters are anything but predictable. Degman gives opportunity for young readers to count and name a wide variety of zoo animals. Even skunks, often overlooked in animal-themed books, get some time in the spotlight.
Jack’s hilarious, expressive characters and active line work is perfect for this busy story. He provides viewers with a hidden fox on each page and plenty of details to discover each time they return to this rousing chase.

Favorite line
“7 sad hippos were making repairs, from damage they caused playing musical chairs. “

KEM Diamond
MGrayMARRAS’ TAKE
Children of all ages will wait in line for good rhyming picture books. Kids, for immediate gratification, and adults, because they know how silly stanzas endure from generation-to-generation through memorization and retelling. Like colorful cotton candy, funny rhymes almost always make you happy. Yet they have extra staying and bonding power when crystallized. That’s why I’d wait in line for Lori Degman’s 1 Zany Zoo, because I know the story will stick around awhile.

Few can write humor and few can write poetry, but Degman does both. And well.

Jack Colins’ whimsical illustrations and retro color palette make me feel young again. They take me back to Hanna and Barbera, Loony Tunes, and Disney classics. And new, hilarious details jumps out with every reading. Bravo!

Favorite line
“2 sporty zebras in goggles and flippers were snipping the walrus’s whiskers with clippers.”

GEMrub

Many children’s book legends were/are also picture book poets: A. A. Milne, Theodor Seuss Geisel, Shel Silverstein, Jack Prelutsky, Judith Viorst, Dan Yaccarino, Anna Dewdney, Corey Rosen . . .

But agents and editors will beg you not to write a rhyming picture book. Why? Because they are drowning in poorly written submissions.

What makes a rhyming picture book so hard to write or publish?

  • Phrases need to read smoothly, with precise beats, using words that are fresh, original, and intriguing—not the standard “you”, “to”, and “blue”.
  • Each rhyme should be pure, but not forced. A book with too many near-rhymes, like “tag” and “bake” will annoy, not entertain its readers.
  • A good picture book requires a plot that unfolds naturally, without being manipulated to fit rhymes.
  • Rhyming stories are difficult to translate into other languages. These limitations make them a bigger challenge to market internationally.

Yet, what books do you most cherish from your childhood? We’re willing to bet there’s at least one rhyming picture book on your list.

Please share your 1 Zany Zoo comments, too!

KIRA-KIRA

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KiraKiraMiddle Grade Fiction
Age Range: 10-14 years
Grade Level: 5-9
Atheneum Books for Young Readers
Text copyright © 2005 Cynthia Kadohata
Cover photo copyright ©  2004 Julia Kuskin
Book design by Ann Sullivan
Jacket design by Russel Gordon

 AWARDS

2005 John Newbery Medal
ALA Notable Children’s Books
Asian/Pacific American Award for Literature
Blue Spruce YA Book Award Nominee (CO) Booklinks Lasting Connections
Booklist Editors’ Choice
CCBC Choices (Cooperative Children’s Book Council)
California Collections Capitol Choices List (DC)
Charlotte Award Suggested Reading List (NY)
Dorothy Canfield Fisher Book Award Master List (VT)
Garden State Teen Book Award Nominee (NJ)
KSRC Middle School Titles – Top Pick
Kiriyama Prize Notable Book NYPL
“Books for the Teen Age” Nene Award Master List (HI)
Pacific Northwest Young Reader’s Choice Award
Master List Thumbs Up! Award Master List (MI)

WHY KIRA-KIRA IS A KEM GEM

KKRISTI’S TAKE
Cynthia Kadohata’s KIRA KIRA is a shining example of a contemporary book for young readers that delves into the prejudices Japanese American kids experienced post-WWII. The first person prose reads simplistically, pointedly and often contains vignettes that feel like they have been torn straight from a journal. A journal, much like Katie Takeshima’s sister’s diary. Kadohata accomplishes this authenticity through her details that always foreshadow, from the first line, all the way to the last line. There’s just enough, but not too much. This mastery of careful observation is also evident in Kadohata’s characters that leap from the page, both perfect and imperfect. I found myself wishing for a sister, just like Lynn, even if it meant experiencing illness and loss, because in the end, the glimmering gift of hope endured.

Favorite line
“I keep her diary in a drawer next to my bed.”

KEM Sapphire
EELISE’S TAKE
Katie Takeshima may struggle to find themes in her assigned readings for school, but the themes of persistence, sacrifice, and love clearly permeate her narration. Kira-Kira is described as the Japanese term for glittering or shining, and Kadohata’s writing truly shines when she slows down to reveal a conversation, a car ride, or a family meal. I found myself rushing through Kadohata’s frequent summarizations to get to her next fully realized scene. Kadohata doesn’t focus explicitly on discrimination in this mid-century novel, nor does she leave it out. This Japanese family is not called names or physically harmed, but neither are they included in regular society or given equal opportunities in their Deep South neighborhood. The topic is subtle (often the case with discrimination). In the end, however, familial love and service outshines the community’s prejudices.

Favorite line
It was as if the house were healing Lynn. That made me love the house even more than I would have anyway.

KEM Diamond
MGrayMARRAS’ TAKE
For me, a novelist hits a home run when their story makes my laughing tears co-mingle with my sad ones. Cynthia Kadohata hit a homer. Her first- person novel, KIRA-KIRA, seems so genuine, you’d swear she’d written a memoir as a youth. Kadohata welcomes readers into the intimate and difficult lives of the Japanese-American Takeshima family as their middle child, Katie, grows from a 5 year old in the 50s into an adolescent in the 60s. Kadahota covers the topics of family, work, reproduction, friendship, marginalization, and death with such naïve, thoughtful, and inquisitive candor, I came away feeling like Katie Takeshima truly lived and breathed as my quirky childhood friend.

Favorite line
When Uncle Katuhisa knocked on the door, I made him give me a password. He said with irritation, “Open up now, young lady, or bear my wrath.” That happened to be the password, so I opened the door.

GEMrub

At the 2014 Society of Children’s Book Writers and Illustrators Summer Conference in Los Angeles, Kahodata shared that her Kira-Kira inspiration came from the life and death of her beloved dog. That must have been one delightful pet.

Please share your KIRA-KIRA comments, too!

California Dreamin’

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Beloved author/illustrator sightings of Aaron Becker, Tomie dePaola, Judy Blume, and more; favored agent schmoozing, preferred publisher swooning . . . I’m living vicariously through my creative friends as they message me from the 43rd Annual Society of Children’s Book Writers and Illustrators (SCBWI) Summer Conference in Los Angeles.

Through technology, I can be a little birdie in the corner as Elise Parsley, represented by Steven Malk, debuts as the one of Writers House’s newest authors/illustrators; Alicia Schwab meets fellow authors/illustrators represented by her new agent, Jodell Sadler, of Sadler Children’s Literary; and Kristi Herro networks to find the perfect advocates to promote her work. They generously share their experience, so I can experience it, too. I’m so happy and lucky to be welcomed along in spirit. Thanks, friends!

My best wishes and support goes to them and all who work so diligently to bring joy, learning, and growth to the world through children’s literature.  For all seeking to be discovered and all seeking to discover them, here’s rooting for an extra-fruitful conference.

HEN HAD HER HAM

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HENHADHERHAMEarly Reader

Age Range:
3-6 years

Reading Level A:
Preschool-Kindergarten

Published by
McGraw-Hill School Division

Text copyright
© 2003 Meish Goldish

Illustration copyright
© 2003 Andy San Diego


WHY HEN HAD HER HAM IS A KEM GEM

KKRISTI’S TAKE
In HEN HAD HER HAM, Meish Goldish constructs a sequentially ordered recipe for learning new words. A simple sentence structure feeds the reader with clear, consistent cues that help build vocabulary, one layer at a time, just like making a sandwich. And like every good recipe, Goldish has the perfect balance of sugar and spice, stacking this leveled book with silly surprises that mix whimsy into what can otherwise be a frustrating experience; learning to read.  Andy San Diego’s illustrations of the only character in the story, the hen, are equally filled with sugar and spice. The hen’s facial expressions encourage a beginning reader as they struggle to make phonetic sounds. The true gem of this book is that it combines consistency with silliness.

Favorite line
“Hot peppers? HOT! HOT! HOT!”

KEM Sapphire


EELISE’S TAKE
This easy reader is a splendid reminder of where we all started. Using one and two-syllable words, Goldish takes us through a simple action done by a simple character. San Diego’s no-nonsense illustrations provide some direction, but they are by no means a crutch for a young reader. The gross factor in Hen’s choice of condiments will keep kids turning pages until the end reveals a slight shift in both text and illustrations. Hen’s final condiment is her undoing as she bites into her meal. Hen and her sandwich are a fun and silly way for new readers to meet milestones in literacy and know the triumph of completing an entire book.

Favorite line
“Hen had her ham with grape jelly.”

KEM Diamond


MGrayMARRAS’ TAKE
In HEN HAD HER HAM, Meish Goldish’s funny word sandwiches stimulate the appetites of new readers. Illustrator Andy San Diego’s  adventurous, googly-eyed  protagonist educates via giggle-inducing entertainment.

HEN HAD HER HAM taught my youngest granddaughter that she can read–and read well. Our early reader’s confidence has grown to the point that she typically re-reads HEN’S story until A) she gets hungry, or B) a grownup hides the book to keep their eyes from glossing over.

I can particularly identify with Hen because her tongue sticks out when she concentrates; like mine, as I write this. And I’m wondering why San Diego didn’t draw her some milk to follow that surprise ending. Water’s not going to help.

Our copy is a little bent, but if you ever want to borrow HEN HAD HER HAM, I know a little girl who would read it to you.

GEMrub

 Please share your HEN HAD HER HAM comments, too!

Distance

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Sometimes we can see more clearly from a distance.

When my daughter was in her early twenties, she handed me a photo of twelve dashing young men. She contemplated dating one of them and asked me to pick “the one”.

“Him?” I pointed.

“No.”

“Him?”

“No.”

“Him?”

“Sigh. No.”

Finally there was only one guy left.

“Never mind.” She snatched the photo and marched to her room.

In hindsight, the young man she picked turned out to be a great catch, but not for my daughter. They just weren’t right for each other. Even in a photograph, my mother’s intuition told me he wasn’t “the one”. Luckily, they never dated. And she found her true love.

This is how it is with my writers’ groups. I can become enamored with weak characters, silly gags, lame story lines, and superfluous sentences, but my writing friends aren’t so blinded by infatuation. From a distance, they can see what’s not right for me and my story.

I wouldn’t trade my critique partners for anything. They will save me from settling for the wrong manuscript.

Now if they could just help me choose broccoli over chocolate.

One More Moment, Please

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“We’ll be friends forever, won’t we?” asked Piglet.
“Even longer,” Pooh answered.
~A.A. Milne, WINNIE-THE-POOH

FIXMEUP600Piglet and Pooh’s thoughtful exchange opens the “Fix Me Up” music video featuring Zach Sobiech, Sammy Brown, and Reed Redmond of A Firm Handshake.

The “Fix Me Up” soundtrack sprouted from the trio’s resolve to bring beauty and goodness out of 18-year-old Zach’s terminal diagnosis and impending death from osteosarcoma. In “Fix Me Up” Sammy pleads, “One more moment, please.” The Piglet/Pooh dialog fittingly echoes Sammy and Zach’s heartache, love, dread, and hope. By communicating their conflicting emotions with such urgent truth and transparency, the life-long friends remind us that sooner is better. Their message has hit a universal cord, as proven by Zach’s #1 hit single “Clouds”.

Bestselling children’s book author Kate DiCamillo uses music to create a specific mood in her books. In 2006, a New York Public Library Author Chat participant asked,”Which music would be the best soundtracks to accompany your books?”

DiCamillo answered,  “I wrote Despereaux to Bach, Winn-Dixie to Van Morrison, Edward to Rachmaninoff. Does that help?”

I’ve toiled to find the perfect songs for my work.  For children’s books, I’ve found that Veggietales Radio produces better results than Etta James. For my family memoir, baroque keeps me serious, but too stuffy. Buddy Holly helps me remember, but I find myself dancing instead of writing and regressing to an age nobody else remembers.  Colbie Callait helps me forget, but that’s not good when you’re writing a memoir.

I could waste a lot of time selecting songs and never do the work. My distracted mind needs music of focused urgency. Tuesday, my craft received a defribulating jolt when I won the “Fix Me Up” Deluxe Edition CD and music video DVD in a door prize drawing.

I’d already received a what-are-you-waiting-for kick in the pants while laughing, crying, and crying some more through Zach’s mother Laura Sobiech’s memoir, Fly a Little Higher.

Laura wrote Fly a Little Higher  in only twelve weeks, just months after her son’s death–with no lack of professionalism or clarity. I hadn’t been so inspired by a family story since Atticus raised Scout and Jem in To Kill A Mockingbird. And I’d never experienced such a graceful, life-giving death in someone so young–or old–ever. The Sobiech experience spoke to me. It said, “What are you waiting for?”

I bought extras for gifts. Shhhh.

I bought extras for gifts. Shhhh.

 

Zach (and Laura) raised the bar to billowy heights, but Zach’s short life reminds us to share our talents, not hide or waste them. And now we have his music to encourage and inspire us to reach higher in whatever we’re doing.

Now my favorite ear candy while writing for children: “Sandcastles” and “Star Hopping”. For living, breathing, memoir writing, and everything else: the “Fix Me Up” soundtrack set to repeat.

A Firm Handshake‘s melodies soar; their words stir, yet fill you with hope. By baring and sharing the fruit of their young, wise souls, the trio challenges others to be real, to step into the unknown despite our fears, and to live while dying.

“Because, let’s face it–we’re all dying.” ~ Laura Sobiech.

To experience more of this story, go to Zach Sobiech’s Page on the Children’s Cancer Research Fund website, especially SoulPancake’s  documentaries preceding and one year after Zach’s death.

Other links for you

I’ll leave you with KS95’s Largest Choir’s singing “Clouds” .

Zach Sobiech-RIP
May 3, 1995 – May 20, 2013

“How lucky I am to have something that makes saying good-bye so hard.”
~A.A. Milne, WINNIE-THE-POOH

EVERY SOUL A STAR

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Did you know that some people call the total solar eclipse Nature’s Greatest Coincidence? During this phenomena, the moon and the sun look the same size from the earth. But the moon is 400 time smaller. Coincidentally, (or not), the sun circles the earth 400 times as far away as the moon. That’s why they seem the same size to us. If the moon were even a few miles smaller in circumference, it wouldn’t hide the face of the sun.

EVERY SOUL A STARMiddle Grade Fiction
Age Range: 8-12 years
Grade Level: 3-7
Published by Little, Brown Books for Young Readers, Hachette Book Group
Text copyright © 2008 Wendy Mass
Cover photo copyright © 2008 Pat La Croix/The Image Bank/Getty Images

 AWARDS

California Young Reader Medal
First Annual Homeschool Book Award


WHY EVERY SOUL A STAR IS A KEM GEM

KKRISTI’S TAKE
EVERY SOUL A STAR took me on a stellar journey where I learned about individuality, friendship and astronomy. Wendy Mass weaves together three points-of-views to show us how it feels to be an outsider. Ally, the alpha girl, Bree, the beauty and Jack, who wants to hide in a box, learn that their uniqueness is what makes them radiate from the shadows of ordinary life. Wendy has channeled the mesmerizing energy of a solar eclipse into a fairy-tale ball, only there’s no magic or evil, just truth and hope that connects us universally. This is one of those books that I didn’t want to end because I had met three very dear friends, and without them, there was a void.

Favorite line
“And as streams of light fan out behind the darkened sun like the wings of a butterfly, I realize that I never saw real beauty until now.”

KEM Sapphire
EELISE’S TAKE
The collision of celestial paths in a solar eclipse is a perfect backdrop for the meeting of three very different lives. In EVERY SOUL A STAR, Mass masterfully alternates between Ally, Bree, and Jack’s first-person perspectives and elicits a sympathetic response from her readers towards each. By the end of the story, I was invested in all three kids, their flaws, their insecurities, and their personal growth.

Mass’ description of the solar eclipse was also a highlight. My only opportunity to see a solar eclipse for myself was during second grade. We were forbidden to look outside (under threat of certain blindness!), so I was thrilled to “see” the big moment through this novel.

Tip: For extra glory, read Ally’s chapter 7 while listening to MPR showcase a very dramatic Buffalo Philharmonic.

KEM Diamond
MGrayMARRAS’ TAKE
In EVERY SOUL A STAR, Wendy Mass treads where few writers dare to go–into the galaxies of three fictional adolescent minds, in first person, and in present tense. What a brave soul. She shines as a psychological  genius–a prerequisite for anyone who loves teenagers.

Mass camouflages astrophysics amidst entertaining character dialog and reflections. The subliminal lessons work so well, I’ve reserved August 21, 2017, the next mainland total eclipse, to camp in the middle of nowhere with a red flashlight and a telescope. If EVERY SOUL A STAR can ignite a late-in-life star-gazing passion in me, imagine the astronomically bright potential for a 13-year-old reader.

Favorite line
“I sure as heck won’t tell them that it used to belong to my dad when he was a baby and that he left it in my crib when he took off. And I definitely won’t tell them that I say good night to it every night before I go to sleep.

It’s just too pathetic.”GEMrub

Every Soul a Star Book trailers by Maria M.

http://www.youtube.com/watch?v=X_Y5kIcl68w

Every Soul a Star Book trailer by Sarah Simmons

EVERY SOUL A STAR Resources

Please share your Every Soul A Star comments, too!

Oh, the Places You’ll Go

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2014MayEliseIIOur vowel is moving. Elise Parsley, the “E” in KEM and our dear friend and critique partner, will ride off into the sunset with her husband, Jarrod, to experience new adventures in the far-off land of eastern Minnesota.

She’s become like family to us, so it’s painful to let her go.

Elise started preparing me and Kristi and her other critique comrades months in advance. “This isn’t good-bye,” she assured. “We’ll see each other again soon.”

I wasn’t so sure.

Her consoling words came to  mind last night while I babysat my grandchildren. After story time, prayers, and last-minute water refills, I slipped downstairs to quietly pick up the house. As I washed the kitchen counters, huge five-year-old eyes peered around the stairwell.

I’m accustomed to at least one bed-time rebel. This one excelled in the charm department. She hugged my neck and sniffled as I carried her to her bed. “I can’t sleep. I’m afraid I won’t see you again.”

Little one still hadn’t succumbed to sleep when her parents arrived home. Instead, big tears welled up in her eyes. “I want Grandma to stay.”

“Oh, silly,” I said, as I kissed her soft, salty cheeks. “Wherever I go, I’ll be right here, in your heart. And, besides–this isn’t good-bye. We’ll see each other again soon.”

Then we planned picnics and play dates and parties. Just like Elise had promised me–picnics and play dates and parties–and so much more.

Today, I came across some photographs from a recent family excursion. This artwork adorned the walls of the Fort Meyers airport. The creative masterpieces put this moving business all in perspective.

OhThePlacesYouWillGoIIOhThePlacesYouWillGoWe’ll remain in each others’ hearts. And our work will keep us close. We are aunties to each other’s book characters. And Elise has promised to keep in touch–no matter how famous she becomes.  And there’s social networking and the old-fashioned cell phone and conferences and work shops and book signings and tours . . .OhThePlacesYouWillGoIII

Thanks to Dr. Seuss, I, too, can go to sleep now.

Oh, the places we’ll go.
Oh, the stories we’ll tell.

We love you, Elise!

Photos of our farewell SCBWI-MN meet-up

An interview with Elise about her three-book deal