Limbitless Nick Vujicic

Man of Steel Christopher Reeve drew admiration leaping tall buildings in a single bound faster than a speeding bullet. And all of that in tights. His superhero persona wasn’t bad, if you like that rippling muscle, perfect jawline, piercing eyes sort of guy; but he earned my hero-worship when he persevered, even thrived, as a  quadriplegic after his real-life horse-riding accident. It was then he said, “Some  people are walking around with full use of their bodies and they’re more  paralyzed than I am.”

Wow, did his words convict me. It’s so easy to let life intimidate and stop us short of our potential. Then I learned of another real live superhero five years ago. A friend sent me a YouTube link featuring a motivational presentation by Australian Nick Vujicic. Vujicic’s fearless joy stirs me to the core.

I hope to introduce everyone I know–children and adults–to Nick, as an inspiration to live life zestfully and gratefully, and to never become paralyzed by fear of life’s failures or successes.

Some people make us move forward in hope. See for yourself why I wanna be like Nick.

Click on the photo for a recent presentation by Nick Vujicic.

Click on the photo for a recent presentation by Nick Vujicic.

And, here’s what he’s up to now.

Click on the photo for a 2013 60 Minute report on Nick Vujicic and his wife.

Click on the photo for a 2013 60 Minute report on Nick and Kanae Vujicic and his wife.

Vujicic Family with Baby Kiyoshi James

Vujicic Family with Baby Kiyoshi James

Nick Vujicic’s life formula:
I’ve never met a bitter person who was thankful.
Or a thankful person who was bitter.

Click on the photo for the short film starring Nick Vujicic.

Click on the photo for the short film starring Nick Vujicic.

If you want more:
Nick Vujicic full DVD

His web sites:
attitudeisaltitude.com
lifewithoutlimbs.org

When life paralyzes you, remember Nick Vujicic. Like him, you are important and your life is a gift for the world. Don’t deny us the joy of knowing the real you. Keep moving forward!

The Rain Has Gone

Iris OpenFor the first time after a long winter and a deluge of rainy days, Minnesotans are singing their blahs away with Johnny Nash’s, “I Can See Clearly Now”.FragrantWonder Yellow

Our KEM GEMS writer’s group welcomed the sunshine via a fragrant field trip to the Minnesota Landscape Arboretum.

KEM

 

 

 

St FrancisDoveLilac ClusterRedConeColor Coated

You need to smell it to believe it.  If your senses need a vacation, this is just the place for you.Arboretum Rainbow

Thanks for sharing the beauty, University of Minnesota!  And, thanks to my writing sisters, for leading me to this Garden of Eden Prairie.  (No offense, Chaska or Chanhassen. Garden of Eden Prairie sounds better in this story.)

Hare Raising Inspiration

Do you suffer from manuscript-aging-angst or this-work-is-too-silly-anxiety?  In 1893, a young woman corresponded with the son of her governess, a boy named Noel.  When she ran out of things to say, she made up a silly story with silly pictures of silly rabbits .  Eight years later (one hundred and eleven years ago), her whimsical  imaginings were published to become one of the most beloved picture books of all time.  This success motivated her to write and illustrate at least 23 other animal tales and 10 more books.  The letter-writer is Beatrix Potter.  Her silly rabbits are Flopsy, Mopsy, Cottontail, and Peter Rabbit.

It all started with a silly letter with silly pictures about silly rabbits.

Currently, two million Beatrix Potter books are sold every year worldwide.  That’s four books every minute.  People hunger for silly — and no manuscript is too old.  Click the image above. Peter Rabbit fans, writers, and illustrators of all ages will enjoy this charming tribute to Beatrix Potter from CBS Sunday Morning.

I Know Her

Before my friend Elise becomes any more famous, I have one thing to say:  I know her.

The artwork of Elise Hylden, the illustrious writer/illustrator of our KEM GEM critique group,  was featured in the March/April 2013 SCBWI BULLETIN, the official publication of the Society of Chiildren’s Book Writers & Illustrators.  What better endorsement?

Anyway, take a gander at pages 26-29.  The illustrations are Elise’s.  I think you’ll agree — Elise has a bright future on the horizon.  Her imaginative creations already delight us.  We can’t wait until everyone can enjoy them.

Congratulations, Elise!  We’re so proud of you.  In the inspirational words of Buzz Lightyear: TO INFINITY AND BEYOND!

Gangstas In the Hood

Click to play Mippey 5, livin’ on the edge with “Temporary Tattoos” parody of “Snapbacks & Tattoos” (by Driicky Graham).

I probably shouldn’t admit this, but I’m a Mippey 5 fan.  Luke Thompson, the gangly Minnesota YouTube sensation, makes beverages come out of my nose kind of like “Weird Al” Yankovic did when I was — um — two.

“Weird Al” Yankovic with a “White & Nerdy” cameo by Donny Osmond. Click on this parody of “Ridin’ Dirty” (by Chamillionaire featuring Krayzie Bone).

Thompson’s probably never even heard of Yankovic, but they are like-minded, creative masters of self and pop culture-deprecation with lots of time on their hands. Yet, Mippey 5 can crank out a music video in the time it takes me to make a blog entry.  Impressive.

Recently the Mippey 5 gangstahs caused quite a scandal in the hood while taping the Harlem Shake.

Those Fridley kids are so wild.

“Welcome to My Hood” DJ Khaled parody of 2011. Okay, so why does this suburban humor strike me so funny?

Anyway, I have a request concerning Adele’s “Rumour Has It”.  I know — it’s an overplayed tune and there’s no rapping.  But envision a parody called “Lederhosen“.  You could start a new trend, Luke.  And, seems to me “lederhosen” offers just the right amount of syllables, some great video possibilities, and plenty of room for Minnesota cheese.

2012 Iowa SCBWI Conference-Heather Alexander

In my awkward unpublished stage, still unsure of my children’s book-writing ability, insecurity causes me to contrive misconceptions about agents, editors, publishers — all who seemingly hold my future in the palm of their hands —

  • that they will be stuffy.
  • that they own hard, plastic rulers to whap stupid writer’s knuckles.
  • that they have a secret society where they laugh together about writing endeavors that are off the mark.
  • that they are too busy to care.

Heather Alexander is as nice as she looks.

Heather Alexander, editor of Dial Books for Young Readers, a division of Penguin, dispelled my assumptions with a welcoming smile.  The thorough nature of my manuscript review indicated that she had not only read my manuscript, but she’d devoted plenty of thought and consideration into improving it.

She didn’t know it, but she verified everything  Linda Pratt (also not stuffy, ruler-bearing, etc.) had said the week before — even though they reviewed different manuscripts.  How could I not feel honored?  Two pros cared enough to honestly and constructively help me in my craft. Heather provided  confirmation that I had work to do — and she gave me additional tools to make my work work.

Ms. Alexander further dispelled the “too busy to care” misconception in the next day’s open mic sessions.  If you’ve never participated in one, a writer reads his/her manuscript for a set time.  During the reading the audience jots down comments and critiques.  When others read, I barely find the time to say, “Good job!”, “Loved that squirrel!” or  “You’d be good at voice-overs, too.”

But, among my critiques came a five-line note, signed by Heather, referring back to our review and reinforcing her advice.  She remembered.  That meant a lot to me.

Putting the ball in my court dispelled another misconception — that agents, editors, and publishers hold our future in the palms of their hands.

We hold our future.  They just help us carry it.

Thanks, Heather for the “hut, hut, hike.” It’s up to me to see how far I can run with the ball.

2012 Iowa SCBWI Conference

Four of us converged in Brooklyn Park, MN, to carpool to Des Moines for the three-day 2012 Iowa Society for Children’s Book Writers & Illustrators (SCBWI) Conference.  On the way home, all four agreed that the eight-hour round trip was worth every mile.

Minnesota party crashers: Randy Holland, me, Cynthia Weishapple, Elise Hylden.

The journey started one year ago when my new writing partner, Cynthia Weishapple, (the stranger who sat by me at the 2011 MN SCBWI Conference), happened upon the web site of Jan Blazanin.

We followed the cyber trail to Jan’s Magical Writing Group friends (Eileen Boggess, Sharelle Byars Moranville, and Rebecca Janni) and vowed we, too, would one day attribute our success to our writers group sisterhood.  Our vision paid off in the spring when Elise Hylden and Kristi Herro joined us. (See My Writing Friendspage.) With four invested in each other’s success, the group is magical, as promised. Like Jan’s group, we hope to inspire other writers, who will inspire other writers…

Iowa inspiration. Magical Writers Group: Jan Blazanin, Eileen Boggess, Rebecca Janni. Not pictured: Sharelle Byars Moranville.

Creatures of the Night.

Yes. We Midwesterners know how to party.

Conference organizers gave us three opportunities to share our work: a Friday night peer review workshop, a Saturday manuscript review, and a Saturday afternoon or Sunday morning open mic session.  They also orchestrated table assignment mixers and a Creatures of the Night Tour of downtown Des Moines.  All could come away with new insights and new friends. No one would come away a stranger.

It seemed fitting that writers conference attendees would gather in Des Moines’ Pappajohn Sculpture Park’s Nomade.  Jaume Plensa, Nomade’s creator, imagined the letters as building blocks for words and ideas, like human cells for the body.

 

 

 

 

Thanks to the Magical Writing Group and 2012 IA SCBWI conference committee members: Connie Heckert, Lisa Morlock, and all conference volunteers.  You shouldn’t have been so nice, because we’ll probably be back again next year.

2012 MN SCBWI Conference-Linda Pratt

Linda Pratt of Wernick & Pratt Agency

I hugged the computer when I received the official email message that Linda Pratt, agent of Wernick & Pratt Agency, would review my children’s book manuscript at the 2012 MN SCBWI Conference.   Her name had risen to the top of my Agents-I-Think-I-Could-Clique-With List even before she made the list of conference speakers.  Lists like mine should probably give agents the willies.  We unpublished writers keep files on agents — everything we can find on-line and in publications.  Who do they represent?  What books do they like?  What movies?  What do they find funny/inspiring/annoying? TP over or under — soft or strong? (Just in case they come to our house to sign the contract.)

Lo and behold, I found the most comprehensive information about Linda on their Wernick & Pratt Agency Q & A with Linda Pratt web page. Linda’s a woman of my own heart.  She loves LUCY, CHOCOLAT, and Anne Lamott’s  BIRD BY BIRDShe represents fabulous illustrators and authors, like Denise Brunkus and Augusta Scattergood. And, Linda, too, thinks Mr. Darcy of PRIDE & PREJUDICE is — um — not bad.

When we met for the critique, the petite powerhouse impressed me with her warmth.  She inquired about a memoir project I’d mentioned during David Small‘s Q & A session and commiserated about my family’s trials.  Seems Linda and I had some family skeletons in common. Then, when she advised how to develop readers’ empathy, I thought “Linda Pratt knows about empathy.”

During an effective critique, the writer is told what he/she should hear, not necessarily what he/she wants to hear.  Linda gave me an effective critique.  She said, “When I first began reading, I initially thought it was a young chapter book before I noticed the genre designation…”  [This observation would be confirmed by Penguin/Dial Books editor, Heather Alexander, a week later at the Iowa SCBWI Conference (upcoming blog entry).]

The manuscript I’d submitted for review had too many characters, lots of dialog, and even a subplot.  Not a picture book, as I’d designated. Linda corrected me with encouragement.  I’d read about writers who didn’t thoroughly understand children’s book genres on Linda’s Q & A page, but I didn’t recognize myself.  She states clearly: “…if it’s a novel for all ages, or it could be a middle grade or YA, or it’s a picture book for 5-8 year olds, these are signals that you’re not clear on the market for your book, and the work itself is likely ambiguous, as well.…”

Sure, I was disappointed at first that she didn’t jump up and down, gushing,  “This is the best picture book since Where the Wild Things Are.” And, I did have that bad dream about another writer stealing my main character and my thunder while I revised.

The good news?  During her conference presentation, Linda assured us fledgling writers not to give up.  But, revise, revise, revise, before we submit, submit, submit.  Linda initially rejected Augusta Scattergood’s Glory Be.  Augusta revised it, an editor revised it again, and –badda bing, badda boom!

My manuscript review experience? Humbling?

Yes.

Humiliating?

No.

I’d jumped off the diving board prematurely, but without direction I could still be flailing in the wrong end of the pool.

Thanks, Linda!  You’ll be hearing from me again — but not until I revise, revise, and revise.  Then, when I think it’s perfect, I’ll revise some more.

2012 SCBWI-MN Conference-David Small & Sarah Stewart

Could there be a cuter couple?

The 2012 Minnesota Society of Children’s Book Writers and Illustrators (SCBWI) Conference proved to be an ah-ha event.  The high”lights”, endearing keynote speakers, David Small and Sarah Stewart,  captivated us with their devotion to one another and their genuine interest in the dreams of novices, like me, who looked to them for encouragement.

To launch the conference David bared his soul with a gut-wrenching presentation about his graphic novel,  National Book Award finalist, Stitches. The  bestselling memoir confronts his nightmarish childhood under the care of unstable caretakers unwilling — or perhaps unequipped — to express parental love for him, his brother, or each other. Small called his family a “long conga line of generational dysfunction.”

Why publish such a disturbing piece after a lifetime of success writing and illustrating conventional, light-hearted children’s books?  David’s answer: For his own well-being.  As a middle aged adult he still suffered.  The reoccurring by-product of his youth: Post-traumatic stress disorder and cancer of the thyroid.  To cope, he reflected on his past as his own psychoanalyst and used his art to fill the gaping  hole of neglect in his heart.  He called this process “narrative” or “cartoon medicine”.

See and read Small’s jarring, line-drawn account in his NEW YORK TIMES bestselling novel, STITCHES.

 

 

Favorite David Small 2012 MN SCBWI conference quotes:

  • “Drawing, for me, is like breathing.”
  • “It seemed right, since my life was wordless to make my book as wordless as possible.”
  • “My trash can is a good friend.”
  • “Having a contract is like having a flamethrower on your butt.”
  • “Keep the author and artist as far apart as possible.”
  • “A good book calls up good pictures in everybody’s mind.”

Sarah Stewart wrapped up the eventful day describing the co-creation of The Quiet Place — Sarah, as author, and David, illustrator.  Sarah confessed that she writes to save her life as she knows it — and to keep the demons away.  She recommended that we unplug ourselves and go to that slow, quiet place to meet ourselves.

  • “The writing is a muscle and you have to keep it taut and firm.  Get it very tight — every word a world.”
  • “You know we can change the world one reader — one word at a time.”
  • “I hope you have a partner or a friend who doesn’t think you’re crazy.”
  • “Good criticism is what you already told yourself, but you thought you were going to get away with.”

    Sarah’s beloved Richard Bear

  • “Do you still have something from your childhood? It’s important for you to have something from your youth.”

As a gift to Sarah, David incorporated her beloved childhood companion, Richard Bear, throughout her children’s books.

Hidden in The Quiet Place, you’ll find another loving bonus from David to Sarah: an exquisite fold-out  illustration — an elaborate quiet place for Sarah’s protagonist Isabella —  a colorful contrast from the black and white drawings depicting the starkness of David’s youth.

Can you find Richard Bear?
Sarah Stewart beamed as David opened her book THE QUIET PLACE to reveal his elaborate love note. “David Small gave me a gift of a gatefold,” she said. “Gives me goosebumps, Darling.”

More than one audience member wiped away tears as Sarah expressed her heartfelt thankfulness for having David Small for a spouse.  “I’m still in awe,” Sarah said. “It’s like making magic explode.”

The blessings go both ways.  Sarah seems a seven/seventy-fold gift to David as well — a warm, loving, and sweet recompense for the cold, loveless, bitter life he once lived.

Thanks, David and Sarah, for your candid mentorship and kindness. And, thanks to the MNSCBWI Conference organizers: Quinette Cook, Jessica FreeburgAlicia Schwab, Celia WaldockCatherine Glancy, Kristi Herro and all volunteers for once again producing a positive, memorable  event!

My next post: Wisdom from conference speaker, Agent Linda Pratt of Wernick & Pratt Agency.