2013 MN SCBWI Conference Tidbits

Posted on by
Reply
Quinette Cook, Regional Advisor, and Jessica Freeburg, Assistant Regional Advisor, of MN SCBWI

Thanks to the conference organizers: MN SCBWI Regional Advisor Quinette Cook and Assistant Regional Advisor Jessica Freeburg.

It’s been 16 days since the 2013 Minnesota Society of Children’s Book Writers and Illustrators (SCBWI)  conference and my tiny brain is still smoking from over-stimulation.

 

Tidbits of wisdom:

  • William Alexander, keynote speaker and author of Goblin Secrets, reminded,”It’s not about you … It’s the story … How well do you serve the story?” Alexander  immersed himself in storytelling as an actor before he became an author. He started out romantically letting the story unfold,  but he discovered that method to be “wildly inefficient” because he would often have to change his beginning to match his new ending. Now he uses outlines, thinking of them as loose travel itineraries with a beginning and an end–and a few crazy side trips.
  • Barry Goldblatt of Barry Goldblatt Literary, showered us with snippets of reality.
    Barry Goldblatt of Barry Goldblatt Literary "Art is a terrible way to make a living."

    Barry Goldblatt of Barry Goldblatt Literary “Art is a terrible way to make a living.”

    “Art is a terrible way to make a living … Name your favorite book and your best friend will hate that book. Art is subjective. People are going to hate what you do.” He advised us to reach into our souls and slap it on the page. For him to represent a book, it needs to scream, “This is a must have.”
    “Research to find the right agent,” he implored,  comparing the relationship to a marriage, because the agent will 1. mess with your babies; 2. control the purse strings; and 3. get into your legal matters.

     

  • Dan Yaccarino, keynote speaker and author/illustrator of Doug Unplugged, Oswald, The Backyardigans, and Willa’s Wild Life, first ripped marketing labels off of packaging to study and draw. Because of his astounding achievement rate, it was tempting to discount Mr. Yaccarino as a freak of nature who wouldn’t understand the plight of the struggling artist. But he won our approval when he disclosed that for every one success there are 12 failures. He says he owes his victories to organization, determination, and persistence. He urged artists to give themselves permission to do the work that makes them happy. “Be brave!
  • Nathan Gassman, art director for Capstone Press, advised illustrators to “think professionally … Seek consistency in your art, branding yourselves so that we (art directors) know we can go to you with a certain style. He recommended Go Dog Go by P.D. Eastman and Life Doesn’t Frighten Me by Maya Angelo as examples where art and word mesh well. He warns that bunnies are cliché unless you turn the character upside down. Gassman’s non-cliché bunny reference: one haunted by mutant carrots (Creepy Carrots written by Aaron Reynolds and illustrated by Peter Brown ).
  • I wasn’t able to attend Minnesota illustrator Jennifer Bell‘s presentation, but we can learn more about her on her official website. She has Illustrated over a dozen children’s books, including, My Pen Pal, Santa and Little Dog, Lost.
  • Annie Stone, Assistant Editor, Harlequin Teen, has a special place in her heart for the Chronicles of Narnia. Stone said the appeal of a great story is power in humanity and protagonists who possess humility, innocence, faith, and flaws. “It’s hard to get behind someone who’s too perfect. It’s their failures– their overcoming of weaknesses that’ll make them heroes.” Clichés: female protagonists who aren’t pretty but everyone falls in love with them and the big reveal where the parents are of magical descent.
  • Marsha Qualey, a Hamline University MFA in Writing for Children and Young Adults  program professor and author of several young adult novels, including Thin Ice, gave an intensive entitled Angles, Facets, and POV. It was my favorite part of the conference because she led us in hands-on group and individual writing exercises. “Editors can’t work with you like they used to,” Qualey commiserated. Lucky for us, we can take a class.
  • Marsha Wilson Chall also teaches for the Hamline MFA program and has authored eleven children’s books, including Pick a Pup. I wasn’t able to attend her presentation, but I intend to look into the Hamline program. Even an old dog like me can learn new tricks (like not writing clichés).

Thanks to organizers, Quinette Cook, Jessica Freeburg, Alicia Schwab, and Nina Crittenberg, and all volunteers for putting on a fabulous 2013 conference. Your devotion to the success of regional book writers and illustrators reaches far beyond the competitive marketing arena and into the minds of children everywhere. That’s profound, when you think about it.

Now what?

Posted on by
Reply
Aruthur Rackham's illustration from GOLDILOCKS AND THE THREE BEARS from the Project Gutenberg archives.

Aruthur Rackham’s illustration from GOLDILOCKS AND THE THREE BEARS from the Project Gutenberg archives.

So, you’ve subjected your manuscript to writers’ conference reviews.

  • Papa Editor says your manuscript is too soft/lame/dull.
  • Mama Agent says it is too hard/scary/implausible.
  • And your Baby Peer Group says it is just right, except for a few hundred nagging flaws.

Now what?

  • Sleep until noon.
  • Eat bon-bons.
  • Complain on Facebook that editors, agents, and other writers don’t know their succotash from Shinola.

Just kidding!

Post manuscript review steps

1. Detach

  • Know that your reason for living is not dependent on those 600/9000/48,000 words.
  • To avoid burn out and increase objectivity, let the project rest in a drawer for two weeks or more.
  • Start another project. Many successful authors juggle several manuscripts at once. Epiphanies often occur while focusing on something else.

2. Look for middle ground

Note opposing revision suggestions. You can’t incorporate both, so see if the middle ground makes sense.

For instance, one manuscript reviewer advised that I intensify a storm scene to make it scarier. The next suggested that volatile weather may be too scary for children.

Because of favorable input received earlier from a test group, I plan to meet in the middle and leave the storm as is. If I didn’t feel confident and couldn’t decide which advice was best, I would save my original manuscript, rename and rewrite it  the two suggested ways, and select the best.

Writing exercises are never wasted.

3. Note common threads

Listen and check your notes for common threads of advice. This indicates a weak point. A common thread regarding my aforementioned manuscript is a preference for a supporting character over the protagonist.

To improve the manuscript according to this feedback, I can:

  • change my protagonist to make him/her stand out.
  • advance the supporting character to the rank of protagonist, knowing this may change the genre, theme, and story.
  • create an entirely new protagonist.

What critique advice have you heard more than once?

4. Note common sense

An editor noticed a scene where I had gotten sidetracked. I tend to be a bit attention deficit. SQUIRREL! To compensate for the shortcomings in my personality, I plan to change my writing process. It’s dangerous for someone like me to just write and hope it takes me to a logical place. ICE CREAM! I will need an outline to keep me on track. Common sense will save me from ending up in an entirely different story and writing ten times more material than I need.

What common sense advice speaks to you?

5. Incorporate the best advice

Save your manuscript under a new name and incorporate the common thread and common sense advice. If others, especially the professionals, agree that chapters, phrases, and words do not carry your story forward cut or change them.

You can go back to the original if you don’t like what you get. But I’m guessing you’ll be pleasantly surprised.

6. Test your manuscript

Revise, then test your manuscript with readers of the age group you are targeting. In extreme critique instances, ask your test group to select between the two different revisions and the original. If the pieces are too long, offer three different synopses for comparison.

My manuscript was originally written without a storm. The youngest member of my test group suggested one. Post-revision, the test group says the story is way cooler with a storm and it’s just the right amount of scary.

Trust your target audience. They’re the best indicator of the marketability of your story.

7. Start again (Back to Baby Peer Group, Mama Agent, and Papa Editor)

At the October 2013 Iowa SCBWI conference, a participant received a submission request from a major publishing house director. This friend started her manuscript over a decade ago.

“She’s arrived!” you say?

Not yet. She’ll follow the post-manuscript-review steps, then she’ll submit her manuscript.

I can’t wait to tell you how the story ends.

I Knew Them When …

Posted on by
Reply

Children’s book writers all over the world have been polishing their manuscripts in anticipation of this season: Society of Children’s Book Writers & Illustrators (SCBWI) regional conference time. These events provide the inspiration and hope that keep us plugging along, one-word-at-a-time for the remainder of the year. I love conference season, because all who plunge in with an eagerness to learn are stepping closer to publication. I’m on the edge of my seat for those who are ripe to be discovered.

Here are a few of those writers:

Louise Aamodt was awarded runner-up in the 2011 Cheerios Spoonfuls of Stories Contest with her picture book manuscript Frankie the Flop. The 2011 web page is no longer available, but below are a couple of screenshots.

CheeriosContestWinners2011

LouiseAamodt

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Louise, an empathetic teacher, mother, and animal rights activist, has a gift for pulling her readers’ heartstrings and pressing their funny bones. Her smart and diverse picture books–some humorous and some dramatic–promote thoughtfulness and understanding. Whether they are underappreciated vultures or underdogs with or without tails–they’ve found refuge in Louise’s imaginative manuscripts.

Elise Parsley, picture book writer and illustrator, recently conducted a successful, hands-on dummy book workshop that drew 24 attendees from all over Minnesota.

HylenDummyTalk2013DummyWorkshopElise gained her dummy book creation expertise by writing and illustrating four of her own fabulous masterpieces. I laugh just thinking about Elise’s funny and charming characters. In fact, I feel like I know them–like I’m their aunt or something (well, except for the cows, although I’m awfully smitten with them). I think you’ll feel the same way.

Other MN writers I’d like to endorse are Randy Holland and Alicia Schwab.

Randy Holland’s middle grade mystery novel manuscript first pages blew me away when I attended my first MN SCBWI critique meet-up. I aspired then to try to write as clear and tight as Randy. He’s stocked his manuscript full of intrigue.  And, he’s already busy writing the sequel, because the ideas just keep coming.

Alicia Schwab is another lucky writer who can illustrate, too. She’s got a delightful  picture book ready for bedtime snuggling. If you click on her link, you can see she’s already a published illustrator, but this will be her debut as a writer and illustrator.

Yes. I’m an unapologetic name dropper. And, I hope I’m as right about writing talent as Frankie MacDonald is about South Dakota weather. (Deadwood got 48 inches of snow, BTW.)

I wish my friends (and all conference attendees) success. And I want them and everyone to know how grateful I am that I knew them when …

Look Out South Dakota!

Posted on by
Reply

For all of my friends in South Dakota:

Best weatherman ever.
Frankie MacDonald, the best weatherman ever, has a storm warning for you.

 Order your pizzas and order your Chinese food!

Hope everyone’s okay in North Dakota, too.

Fantastic Brain

Posted on by
Reply

FantasticImaginationLike most five-year-olds, our youngest granddaughter has a well-formed, confident  imagination. She gets lost in her own world for hours–exploring the carpet ocean on the backs of throw pillow sea turtles, creating LEGO pirate ships and Dr. Seuss-ian towers, or transforming the living room into an elaborate hospital for stuffed animals.

FantasticCreationYesterday, when I complimented her on a particularly inventive  architectural masterpiece, she peeked up from her couch cushion fort, threw up the palms of her hands and breathlessly gushed, “Thanks! My brain is fantastic when it comes up with ideas!”

As I unimaginatively swept the kitchen floor, I contrasted her response to a typical  adult’s. Most of us would have downplayed or dismissed our accomplishment. “Oh, that old thing. Thanks. It’s nothing.” Or, “I made a mistake on my gangplank. See.”

Unencumbered by the false humility or squelched confidence of groan-up-FantasticPirateShiphood, she joyfully and gratefully celebrated her fantastic brain.

Imagine the outcome if we followed our everyday accomplishments with such exuberant thankfulness.

Today, after I think a thought (particularly clever or not) or write sentence or complete a task, I plan to marvel out loud, “My brain is fantastic when it comes up with ideas!”

I can guarantee it will add a twinkle to my eyes, a smile to my lips, and a skip to my step.

And the more I appreciate my fantastic brain, the more fantastic ideas it will give me.

My Terrible, Horrible, No Good, Very Bad Day

Posted on by
Reply

Siri helpIn the immortal words of Judith Viorst’s Alexander, I had a terrible, horrible, no good, very bad day.

While traveling on the busy freeway I asked Siri for directions.  She said, “I do not know ‘get that little cat’.”

When I tried and tried again she consistently answered,  “You’re welcome.”

Determined to be more helpful than Sassy Siri, I vowed to bring cheer to two depressed acquaintances.  So, I mailed them rough  dummies of my  children’s picture book manuscripts, because my depressed, young protagonist makes me laugh.

When I called to see if they got my dummies, one said, “What do you want me to do with these?”

Seeking a more positive review, I called the other. She said, “You should meet my neighbor–she’s a good writer.” Then for the next agonizing hour and a half she recited every one of her neighbor’s poems. By then, I was depressed.

To cheer myself up, I visited my grandkids. One pointed to the back of my knee, “What awe those bwoo wines on you-a wegs, Gwamma?” (Translation: “What are those blue lines on your legs, Gramma?”)

My husband teased, “Connected, they’d make a tattooed map of Argentina.”

Later that evening, I had the auspicious opportunity of having my chapter book manuscript critiqued by a real live published writer. I beamed as I handed her draft #658. Until her face contorted. I checked the table for the sour lemon. Seems she’s averse to first person present tense. She left the table abruptly. I think to go vomit.

On the drive home, I was tempted to pout. But then Charlie Brown, Rodney Dangerfield, and  Alexander from Alexander and the Terrible, Horrible, No Good, Very Bad Day sat on my shoulders and made fun of me. (I must have been delirious. Instead of angels and devils, I got round-headed whiners. ) 

Charles Schulz’s Charlie Brown said he wouldn’t have gotten a cartoon column if Lucy let him kick the ball.

Rodney Dangerfield said he wouldn’t have had a schtick if he had gotten any respect.

And Judith Viorst’s Alexander said his story wouldn’t have been as funny if his teacher loved his invisible castle.

They all told me to embrace awkward and to look for the funny in tattooed maps of Argentina. Then they asked me what I learned from my terrible horrible no good very bad day. I had to pray the Litany of Humility Prayer to see.

#1: Like Charlie Brown, I’ll keep trying–even when success seems improbable. But, where Siri’s concerned, I now bring a hard-copy map in case she takes me to that little cat. And I’m learning to enunciate my words.

#2: I don’t send depressed people my writing. It’d be embarrassing if my manuscript was left on a ledge after a jump. But, I do listen and learn. Like Rodney Dangerfield, I’m ready for the hecklers. In fact, I savor hecklers, because frustration generates the funniest writing material.

#3: I now wear pants (mostly). The South American Department of Tourism is disappointed, but they’ll get over it.

#4: I edited my invisible castle/manuscript rather than succumb to an overwhelming desire to move to Australia (an Alexander reference). I did some research and learned that no one is passionate one way or the other about past tense. But many people have visceral, negative emotions about first person present tense. So, I revised my chapter book manuscript to incorporate the less risky formula. (Because I’m a coward.)

My writers’ group thanked me for this. (Except for one comrade who came back from the Illinois conference declaring that present tense is all the rage. That was after I’d changed my entire 8,341 word manuscript to past tense. He coerced me off the ledge by conceding that I could wait to be adventurous–for when I don’t need critique advice–which will be–um–never.)

#5: Imperfect, insecure protagonists are funnier. My characters are more interesting because of my daily frustrations.

If you got stuck on this blog because Siri won’t give you directions or because you Googled giant Argentina tattoo, you might be having a terrible, horrible, no good, very bad day.

Celebrate! Then write about it. That’s how Charlie, Rodney, and Alexander got their start.

Dummy Workshop for Smarties

Posted on by
Reply

EliseHyldenAre you a picture book author or author/illustrator who would like to wow an agent or editor by improving the rhythm, pacing, and editing of your manuscript?

You’re in luck! Minnesota illustrator, Elise Parsley, is presenting a workshop just for you:
Picture Book, Dummy Book, How to Hook (an agent)!

A dummy will help you flesh out your characters and pace your story. I created this dummy for my own use with the help of iclipart. Incidentally, you might learn, as I did, that your material is better suited for an older audience.

Whether you are an illustrator or artistically challenged, like me, this workshop will be beneficial for you. Elise will  show  you the characteristics and usefulness of a picture book dummy and the basics of a PB query letter. The  experience may also help you discern whether your material is truly suitable for and marketable in the picture book genre.

Bring a copy of your picture book manuscript, pen, scissors, and be prepared to make some edits!

About Elise: She studied drawing and creative writing at Minnesota State University in Moorhead, MN. She has been actively researching and creating picture books and dummies since graduating in 2011. Five pieces of Elise’s spot art were featured in the March/April 2013 issue of the SCBWI Bulletin. She will share invaluable feedback she’s received from editors and agents on her way to publication.

SCBWIBULLETINPg26-27Picture Book, Dummy Book, How to Hook (an agent)!  is a MN SCBWI-sponsored event.
Elise looks forward to seeing you Saturday, September 21, 1 – 5 p.m. at the Maplewood Ramsey County Library, Community Meeting Room, 3025 Southlawn Drive, Maplewood, MN, 55109.

SCBWI Members: $25, Non-members $35.

Blind Date Jitters

Posted on by
1

Dear AgentI feel like I just mailed a love note. And now I want to crawl into the post office box to get it back.

It’s that time of year again, the Society of Children’s Book Writers & Illustrators (SCBWI) conference season in the Midwest. Many of us children’s book writers and illustrators are frantically polishing treasured stories for a manuscript review. In return, we’ll receive feedback to improve our work.

Critique reviews also provide a prime networking opportunity. We try to bring our best to the table in an attempt to knock agents and editors–or experienced critiquers who know agents and editors–off of their feet. Usually, we’ve never met our manuscript reviewer before. We just know he/she hangs out on a pedestal.

The submission process feels awkward, like sending a love letter to a blind date in hopes of compatibility. It’s extremely humbling, yet stocked with hopeful anticipation and romantic notions of finding the one who will find extraordinary worth in us and our work.

Though some writers and illustrators may not admit it, our secret hope is that the agent or editor will say, “Where have you been? I’ve been looking for you all of my life. Will be my client? I must represent you and only you. Is this seven figure contract enough to seal our bond?”

Luckily I specialize in fiction.

I probably should look into fantasy.

Anyway, for all of you SCBWI Conference-wooers: Don’t lose your nerve! Step away from the post office box. You’re not a delusional stalker–really. (Okay, well some of us are.)

Incidentally, the Minnesota SCBWI Conference will be held October 12-13, followed by the Iowa SCBWI Conference, October 18-20. I’m cheering for some lucky agent/editor to find the one in you.

Marathon

Posted on by
2
fpublic0009-true-history-hare-tortoise-lord-dunsany_full

THE HARE AND THE TORTOISE, written by Lord Dunsany. Artwork by Milo Winter. This image by THE AESOP FOR CHILDREN is a public domain image.

Writing a book is a marathon–not a sprint. So much else in life is an all-out race, this slow-and-not-so-sure reality makes most book writers feel judged for not producing immediate results.

Our cultural urgency to succeed and do it now deals writers an undue amount of shame and guilt. We’re rarely there on time to meet and greet the people  prematurely gathering at the finish line.

A 90-year-old relative said to me, “People ask me what you do with all of your time. I told them, ‘I have no idea.'”

Another relative, a 23-year-old, said, “What will you do while I take my nap?”

I said, “I’ll work on my book.”

A couple of hours later, she awoke and stretched. “So, are you done with your book?”

Another friend said, “Oh, children’s books.Those are easy to pump out, aren’t they? So-and-so wrote a children’s book. If he can do it anyone can.”

That’s what I used to think.

Instant success expectations are why there are more people who want to write books than books. Writing is humbling. And if enough people think you’re taking too long or doubt you can finish the marathon, you can start to doubt it yourself.

Me? I’m sticking with the process because I know how the story ends. The tortoise wins the race–maybe skinny and battle-scarred by the sacrifice–but she/he crosses the finish line.

The pleasing ending of the Hare and the Tortoise was possible because the tortoise was at home (a state of being for us/a physical place for tortoises) doing what he/she was designed to do, yet unafraid to stick his/her head out and plod forward under the protective thick shell of faith, hope, and focus.

Limbitless Nick Vujicic

Posted on by
Reply

Man of Steel Christopher Reeve drew admiration leaping tall buildings in a single bound faster than a speeding bullet. And all of that in tights. His superhero persona wasn’t bad, if you like that rippling muscle, perfect jawline, piercing eyes sort of guy; but he earned my hero-worship when he persevered, even thrived, as a  quadriplegic after his real-life horse-riding accident. It was then he said, “Some  people are walking around with full use of their bodies and they’re more  paralyzed than I am.”

Wow, did his words convict me. It’s so easy to let life intimidate and stop us short of our potential. Then I learned of another real live superhero five years ago. A friend sent me a YouTube link featuring a motivational presentation by Australian Nick Vujicic. Vujicic’s fearless joy stirs me to the core.

I hope to introduce everyone I know–children and adults–to Nick, as an inspiration to live life zestfully and gratefully, and to never become paralyzed by fear of life’s failures or successes.

Some people make us move forward in hope. See for yourself why I wanna be like Nick.

Click on the photo for a recent presentation by Nick Vujicic.

Click on the photo for a recent presentation by Nick Vujicic.

And, here’s what he’s up to now.

Click on the photo for a 2013 60 Minute report on Nick Vujicic and his wife.

Click on the photo for a 2013 60 Minute report on Nick and Kanae Vujicic and his wife.

Vujicic Family with Baby Kiyoshi James

Vujicic Family with Baby Kiyoshi James

Nick Vujicic’s life formula:
I’ve never met a bitter person who was thankful.
Or a thankful person who was bitter.

Click on the photo for the short film starring Nick Vujicic.

Click on the photo for the short film starring Nick Vujicic.

If you want more:
Nick Vujicic full DVD

His web sites:
attitudeisaltitude.com
lifewithoutlimbs.org

When life paralyzes you, remember Nick Vujicic. Like him, you are important and your life is a gift for the world. Don’t deny us the joy of knowing the real you. Keep moving forward!